original Unoriginal

Recognizing as I do that I cannot make use of {5} subject matter which
is useful and delightful, since my predecessors have exhausted the
useful and necessary themes, I shall do as the man who by reason of his
poverty arrives last at the fair, and cannot do otherwise than purchase
what has already been seen by others and not accepted, but rejected by
them as being of little value. I shall place this despised and
rejected merchandise, which remains over after many have bought, on my
poor pack, and I shall go and distribute it, not in the big cities, but
in the poor towns, and take such reward as my goods deserve. Leonardo DA VINCI

Tagg Line, today

Photography as such as no identity. Its status as a technology varies with the power relations which invest it. Its nature as a practice depends on the institutions and agents which define it and set it to work. Its function as a mode of cultural production is tied to definite conditions of existence, and its products are meaningful and legible only within the particular currencies they have. Its history has no unity. It is a flickering across a field of institutional spaces. It is this field we must study, not photography as such. — John Tagg