she wants them, their finest textures, full or part, details cut out… we are shown them, but not their circumstance. them circumcised, circumscribed. them transported to us by her choice of background.Isabel Munoz.She takes digital, prints platinum. Travels to her subject, studio in tow, so that you can see the world clean, close, free of place, stored on the walls of galleries, stored in the drawers of collectors, forever.
Category: Criticism
Burnham Bib Notes
Text in book
Burnham, Jack. – «Art and technology : the panacea that failed». – The myths of information : technology and postindustrial culture. – Edited by Kathleen Woodward. – Madison : Coda Press ; Milwaukee : The Center for Twentieth Century Studies, 1980. – (Theories of contemporary culture ; 2). – P. 200-215.
Book
Burnham, Jack. – Great western salt works : essays on the meaning of post-formalist art. – New York : George Braziller, 1974. – 165 p.
Text in periodical
Burnham, Jack. – «Real time systems». – Artforum. – Vol. 8, no. 1 (Sept. 1969). – P. 49-55.
Text in catalogue
Burnham, Jack. – «Notes on art and information processing». – Software : information technology : its new meaning for art. – New York : Jewish Museum, 1970. – P. 10-14.
Book
Burnham, Jack. – The structure of art. – Assisted by Charles Harper and Judith Benjamin Burnham. – Revised edition. – New York : George Braziller, 1970. – 195 p.
Book
Burnham, Jack. – Beyond modern sculpture : the effects of science and technology on the sculpture of this century. – New York : George Braziller, [1968]. – 402 p.
Text in periodical
Burnham, Jack. – «Systems esthetics». – Artforum. – Vol. 7, no. 1 (Sept. 1969). – P. 30-35.
The Point
Is the point of the critic to inform you, the artist, himself? It is possible that the best critical piece provides enough “IT” for you to inform yourself. Motivate you to interact in altered way. Altered, but enhanced. Engaged by the work, or its countering forms.
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