speed does what

Does the speed you work at make your work better or worse?

Many film based photographers claim, along with their “alt” printers, that slower makes better photographs. That digital, since it is so easy, so quick, it is necessarily bad. Many is less. Slower makes better imagery.

What proof, or demonstration do they offer? Maybe the argument means they don’t have to produce as much. They get to spend more time in chat rooms and less time photographing.

I suppose they’ve never considered that in the days of film, that 35mm shooters heard the same thing from 8×10 users. That is, that 35 made lousy pictures therefore made lousy photographers. I used both, almost daily. During those times I used to remark that I often shot 35 to use less film. That 8×10 used as much film for One shot as 35 mm did to make 36 shots. This meant that using 35 I could become at least 36 times better a photographer than when I was using an 8×10.

It didn’t seem to sink in.

To Keep It, Use It.

Fuji Changes Lineup

It appears that retailers in the US have received the following notice:

The following are now gone, with no replacement:

Color 160s and160c in 35, 120, 220, 4×5, 8×10, and 4×5 quickload

Color 800z in 35mm 5pack, 120 and 220
Velvia 50 4×5 quickload
Velvia 100 4×5 quickload
Velvia 100F 4×5 quickload
Astia 100F 4×5 quickload
Provia 100F 4×5 quickload
T64 in all formats
Neopan 400 120
CDUII in all formats

The following have had package changes:
Velvia 50, 100, 100F 4×5 and 8×10 are now in 20 sheet boxes
Velvia 50, 100, 100F are now in 5-packs
Astia 100F 4×5 now in 20 sheet boxes, 120 now in 5-packs.
Provia 100F 4×5 and 8×10 now in 20 sheet boxes; 120 now in 5-packs
RXP 120 now in 5-packs
Arcos 100 120 now in 5-packs, 4×5 now in 20 sheet boxes.