Erhard Schüttpelz has suggested a useful distinction between “the complicated” and “the complex,” which helps to understand what is at stake in such a scene. According to Schüttpelz, “complicated” is anything whose operations can be computed, like train timetables. A conversation at a bar, however, is “complex”: it is ambiguous, and its many layers of meaning (and of animation) involve more factors than a simulation can easily take into account. The difference between the complex and the complicated was and continues to be the foremost frontier of modernization. By means of standardization and computation, modernity seeks to turn complexity into something that is merely complicated.
doodle

fossilizing time
Sugimoto has spoken about photography as a means of fossilizing time:
Fossils work almost the same way as photography…as a record of history. The accumulation of time and history becomes a negative of the image. And this negative comes off, and the fossil is the positive side. This is the same as the action of photography. So that’s why I am very curious about the artistic stage of imprinting the memories of the time record. A fossil is made over four-hundred-fifty million years—it takes that much time. But photography, it’s instant. So, to me, photography functions as a fossilization of time.

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