What Comes, It Too

SPE+SIPA+EXIF
Can you see a photograph? Do you prefer the back-story? You know, that stuff the photographer has to write. Their statement. The meaning, the title, the location, the aperture, the post processing software, the tripod, or not, the GPS coordinates, what format are they in– you know all that stuff not in front of the camera, not based upon photons. All that stuff that painters so rarely have to provide. All that stuff that provides time from the viewing.
That seems to be the stuff you must have. Not so, oh so many years ago. Just prints please. If you have to talk, maybe you should think about writing. If you want the photographs to jump and dance, play music, or talk, maybe you could do film. Or maybe, you could write on the photo. Or maybe, you could become a critic, or a curator.