Scott Nichols Gallery: ” Surrealism and Symbolism (1971), Sirague City: Photographs (1975), Séance (1979), Vilem Kriz, Photographs (1979), and Vilem Kriz Photographs (S K Josefsberg Studio, 1999)”
bebeath the street
Sometimes, to go forwards, one has to go back. Back to the scene of the crime. Back to the moment when the situation seemed open, before the gun went off, before the rat race started. This is a story about a small band of artists and writers whose habits were bohemian at best, delinquent at worst, who set off with no formal training and equipped with little besides their wits, to change the world. As Guy Debord, not the least of their number, later wrote: “It is known that initially the Situationists wanted at the very least to build cities, the environment suitable to the unlimited deployment of new passions. But of course this was not easy and so we found ourselves forced to do much more.”3
Ekleksographia: Dominica Kriz
Ekleksographia: Dominica Kriz: “My sorrow over his dying here quickly changed to gratitude for his dying close by as I was able to take care of the last things we do for those we love. My mother and brother were both quite reclusive and wanted nothing to do with it. What followed was my father’s last gift to me and unlike anything I would have ever imagined.”
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