a post media time
“He radiates decency and straightforwardness. He is kind and calm and modest. He is the kid in the class everyone wants to sit next to…. Struth’s work does not reflect the culture of guilt he speaks of.” https://www.artbook.com/9781942884224.html
from Louisiana Channel a fine video feature of Mr. Struth.
as usual, bits from the desktop…
Something from the Lab…
…..something more from the Gallery.
practical masking: skeleton key to the “sandwich” making in a darkroom.
Missing are the thickness of the glass. Thinner for smaller (roll film) film. Bigger for sheet film (1/8 to 1/4″)
Diffusion and separation control UN-sharpness.
this was called the Standard Plate/platen. It, along with the Standard Light formed the Start Point, or First Set, in my darkroom.
To the part of practice I prefer. This is the stuff I call photography. The picture process.
Yamamoto Masao – a walkthrough of an exhibit (2019)
Yamamoto Masao started to photograph when he was 16 years old. He also studied painting but later chose gelatin silver print as his media. His first gallery show in the U.S. was in 1994 in San Francisco. In 1996 he had a solo exhibition at Yancey Richardson Gallery in New York
webionaire 
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