Thin Black Line

“Any light figure or rounded object will appear to have a dark line around it when bright sunlight is hitting it squarely. In this case the model was lying on a steep sand bank and my camera was set up on a parallel bank; the morning sun was directly behind me, and the brillance of the light was increased by reflection from the surrounding dunes. Given such conditions a dark outline is bound to appear in your picture, but it is for the photographer to decide how he will use it. If he wants to emphasize it the procedure is simple enough–in this case by giving the minimum exposure to get the flesh fully timed, developing out for a fairly dense negative, and making a straight print on normal grade paper”.

ansel adams termed this the “limb effect” [the Negative page 133]edward2.gifNude_1927_62N.jpg

blad lens decoder

C – older, Compur shutter with limited or no lens coating.
CT* – same as above with multicoated lens.
CF – same as CT* but with Prontor shutter and redesigned barrel (more rigid).
CFi – same as CF but upgraded Prontor shutter (lasts roughly twice as long) and better flare suppression due to better internal barrel coatings
CFe – same as CFi but with electronic contacts for use with 200 series.

The flare suppression on the CFi/e matters for longer focal length lenses in high key situations — i.e., where there is a lot of white background in or just outside of the picture. The upgraded Prontor shutter only matters for professionals taking 1,000’s of pictures — the CF can handle roughly 200K exposures; the CFi/e about 400K.

Hasselblad 500.

What Is

What is, what isn’t photographable?

The photograph is more “of” something, than it “is” something. Paintings are always “the” thing. In some cases, the photograph is only the thing, just not usually, since the photographer is conditioned by looking, rather than making.