Series: Photographers at Work

Friends and Relations
Photographs by Tina Barney

Panoramas of the Far East
Photographs by Lois Conner

Horses and Dogs
Photographs by William Eggleston

llllaria
Photographs by Lee Friedlander .

Pure Invention: The Tabletop Still Life
Photographs by Jan Groover

Partial to Home
Photographs by Birney lmes

Travels in the American West
Photographs by Len Jenshel
Dancers
Photographs by Annie Leibovitz

The Wild West
Photographs by David Levinthal

On Assignment
Photographs by Jay Maisel
The Photo Essay
Photographs by Mary Ellen Mark
Creating a Sense of Place
Photographs by Joel Meyerowitz
Minor League
Photographs by Andrea Modica

Family Pictures
Photographs by Nicholas Nixon

Hotel Room with a View
Photographs by Bruce Weber

Everyday Things
Photographs by Neil Winokur

Voice: First Part

The artist, clearly, can render only what his tool and his medium are capable of rendering. His technique restricts his freedom of choice…. Sitting in front of his motif, pencil in hand, the artist will, therefore, look out for those aspects which can be rendered in lines…he will tend to see his motif in terms of lines, while, brush in hand, he sees it in terms of masses.
Ernest Gombrich, The Essential Gombrich