Category: da net

Making The Print

Posted on Posted in art school, babl, coursenotes, da net

Making The Print

Finding your way, in the absence of a guide, means asking along that way from some who may be as lost as you.

the learner learns from those around them. the first steps toward the print are hesitant – building that vocabulary will be the most important part of your first few years. The bigger the range of options you have, the wider your creative possibility

sadly, in the online world Ansel Adam’s “The Print” serves as dictionary and thesaurus. The landscape print, as realized by Adams, and maybe Minor White is the entirety of the image bank. So, when encountering work by other imagists, objections to the limited, or excessive tones used forms the measure, the twain of acceptance and comprehension of the image.

The limitations of the weekenders are their lack of interest, not their lack of knowledge. They limit themselves, reducing their range of creative movement

Timid Search

most amateurs and workshop wanderers are timid, and constrained in their visual range. by taking on distinctive, different approaches to the print, they will encounter more permission in making their own work

by permission I mean allowance – greater range of acceptance, or at least understanding by looking; Increase your visual dexterity.

bw prints

Two Alternate Vantages

Henry Wessel (b:1942 – ), and Ralph Gibson(b:1939 – ) Henry moved from the East to West; Ralph moved from the West to the East.

Ralph Gibson learned photography in the Navy, then spent 2 years at SFAI before assisting, first , Dorthea Lange (1961-62), then Robert Frank (1967-68). Dorthea Lange provided Gibson with a mantra encouragement to find his “departure point.”

Henry Wessel taught at SFAI, having gotten his MFA from VSW in 72. He’d been in California (71) where the light had become his banner. About his arrival from a cold Rochester January (’71) he says:

I was like a starving man at a banquet. It was the first time I’d been and I was struck by the light, the variety of the landscapes, and the urban centers. It’s the place I keep coming back to, the closest thing I have to a concept.

giving yourself permission to work outside the lines

Both photographers have mastery, but each makes different prints; prints that diverge from the Medium Grey Full Scale standard which many workshops advance as the ultimate print. Full Scale negative onto a Full Scale print- this is an easy way of discriminating good from bad work. Of course, that approach isn’t what either of these masters holds themself to. Neither is a sloppy printer. Their works are distinctive, repeatable and each remarkable for attending to different visual intents. Both printers hold out masterly approaches.

Together they assist finding a path between counterpoints. not opposite poles, but matched endpoints such as Gibson’s strong toned prints, and Wessel’s broad middles. One offers Bang, the other Wiff.

Handmade Waving

Posted on Posted in A Symbol Life, Criticism, da net, morning wood1 Comment

if art is only that which is made by hand, what is made of art.

If art is only made by hand, that leaves us with only waving our hands about in the air. Art is more than a gesture. Striking the work of the machine, even the algorithmic machine means we can do nothing but point and mime.

We enter this strange trap by way of online photographers asserting that their devotion is more genuine than another’s; that the darkroom is the only true light. The glow of the safelight is safe assurance of art being made.

They have discovered the argument lodged against the original camera, the original machine of artistic fraud. They don’t notice the trap of their own devices, their own barriers to fuller realization. One artist’s limit is another’s muse.

Chemical engineering, optics and emulsion are no more liberating to all than is sensor and software inhibiting to all. Neither path is the exclusive path – one true path, since the path is just a metaphor, not even an icon.

original sin of photography is that it isn’t handmade so must remain the hand maiden of art

if the handmade is a requirement, how far down the tortoise stack do you go before giving up on the requirement to make your ingredients, or is it “turtles all the way down” the rabbit hole?

Others hold that the earth has nine corners by which the heavens are supported. Another disagreeing from these would have the earth supported by seven elephants, and the elephants do not sink down because their feet are fixed on a tortoise. When asked who would fix the body of the tortoise, so that it would not collapse, he said that he did not know. – Charpentier, ‘A Treatise on Hindu Cosmography from the Seventeenth Century’