beseler NEGATRANS

but those damn O-rings…

NOTE- if you’re APUG or Large Format Forum registered, you may not use this material. Please, leave this site now! https://webionaire.com/2023/09/17/drew-wiley-photrio/ & this are some reasons.

from the patent:

A film carrier for use in photographic or projection apparatus in which a film supported on a pair of aligning film guides is transported by means of an endless belt ..

It is that ‘endless belt’ that breaks. The replacement parts are no longer easy to locate, at least not from the usual sources; however, these items were not made by beseler, only sourced by them. These belts are o-rings to most of the world. Size it; buy it; install – get back to making prints.

I measured a broken belt, finding it ranged from .91 to .96 in diameter – with that, and an approximation of length (using a string threaded through the roller path) I arrived at a McMaster-Carr part.. usasealing (shelf life est: 15years)

I have 2 negatrans for 120 film: one fitted with an omega adapter, the other, the one broken is for my beseler 45. I also have the negatrans for 35mm. Makes life with roll film much easier in getting through a batch of ‘work’ prints.

If you’re near UTD, or Marfa contact me for the part number; maybe one of my spares.

Testing Paper Sizing — alt processes

Paper sizing provides paper internal strength, making it more durable so that we can handle it without damage. There is a trade off made about resistance and paper characteristics. Most art papers have an internal size introduced during manufacture.
Chemical processes useful for photography are liquid so will wet the paper and sink into it. This may weaken it to the point of damage. The paper may be so absorbant that the ’emulsion’ sinks into the paper beyond useful range. This would be the case in a pigment process where the unexposed portion of the image must be washed away. If the unexposed portion of the ’emulsion’ won’t wash off, then there won’t be light tones in the image.
Most people automatically size papers for use in the pigment-colloid processes (gum, carbon). It is easy to test the paper for sizing need. Equally easy to check the suitable sizing procedure.

mix the base color with colloid. drop onto the paper. do not sensitize the mixture. allow it to dry, then wash it off. If this washes out, your paper doesn’t need any sizing. it is unlikely this will be the case. the ‘paint’ will likely stick to the surface fibers of the paper. Next step is to mix your sizing and apply. Run the ‘paint’ step again. If the paper clears, you have a good size procedure. With this known, you can proceed to make your carbons, gums, confident that any clearing problem isn’t because of paper sizing.