Easy Assembly Color

handmade color was once the main way of making a color print. At first, obviously, the first color photograph was made by a technician — not purchased, but made. That process was an assembly process. The print was made by layering separate images until they formed the final single print. This was the synthesis step in a “multi-color” process.

Assembly systems are divided into “roll-up” and “lay-down” methods. Was it a ‘dye’ or a ‘pigment’ that is being assembled. They could also be classified as ‘direct’ or ‘indirect’ transfers. These processes are more mechanical than any other way of making prints. The whole direction of the Kodaks was to do the assembly at manufacture time: the integral, type C process. The key researcher for Dye Transfer was moved from dye transfer to type C print work by 1961.

The two most successful systems, those have large enough commercial backing to sustain many users, were Carbro, and Imbibition printing. Imbibition prints were more often known as Dye Transfer, and Wash-off-Relief.

Either process was time consuming, involving many steps with moderate to high skill needed at each. The difficulty lay in the combining of the steps in such a way as to be able to solve more problems than you created. Each stage offers choices; making the best choice comes from having a nice overview firmly in mind.

Either process could be described as consisting of very few steps. Leave out enough and we could just say: expose then print.

Teaching was always a balance between showing, telling, and knowing what to leave out.

Early Equipment was primitive by what anyone working in this century would have:

The processes compared in “follow list” form make their relative complexity obvious. Obvious about why Carbro was replaced. And why Kodak spend so much effort to follow the imbibition path broken by Technicolor.

The biggest step to take these days is: make tissue, or make matrix film. The history of assembly has returned to the carbon route. Firstly because the alt photography community began it as part of the 60s photography surge.

I’ve posted enough over the past years for someone to be able to make matrix film. There are enough webpages and specialty groups for anyone to be able to make their own carbon tissue. Carbro is a different, but easy enough alteration to carbon printing. Just about any soft emulsion photopaper can be used. Bromoil is harder to make than a carbro.

To begin. Begin. Make your own outline. Start with the minimum, not the maximum. Go faster than you feel you can. Make more mistakes than you want. If you read for an hour, print for three.

Assembly isn’t easy until it is done.

overnight: 1.19.23

ideas in threes: more than detail. if detail is the only thing

exposure stack — (dupe)

focus stack– (origina) -> light — > dark

a strongly held rationalization attempt to explain irrattionalism

tmax…

TMAX and UV blocking. the dye is to reduce static. not present in 400-2 roll and sheet. it is in 35mm film.

TMAX 100, even after 2007 , still has the layer. helps in scanning and in film-out machines.

and XTOL. Silvia Zawadzki [1943 – 2020] and Richard Judson Dickerson [1929 -2015]