40 years ago, we loved grain.Well, some of us loved it.We sought it out. Accentuated it. Spent hours trying to get it more pronounced.
Some of us hated it, doing everything to eliminate it, or at least reduce it. Fine grain film. Fine grain developer. Large film. Contact printing. Toning. Much of this to kill the grain.
Odd too, since silver, at least in exposed film, is composed of small particles. This is the stuff of “grain” —
40 years later, Ilford, Kodak, and Fuji have almost eliminated the artifact called grain. They’ve done this while raising the sensitivity of the film to light. Lower and lower graininess with higher and higher film speeds, until now, grain is gone. Too bad that digital has made the point moot.
Now the search is on for the perfect digital image, noiseless.
However, once again, some of us like the noise and strive to find ways to introduce it….
This day from night, light in the night, yinny thing will never stop, never end. It will just keep tick tocking, swing swinging away.
Category: olden ways
How Much Change is Change?
When video went from analog to digital, what happened?
When photography went from silver to silicon, what happened?
Video was big, awkward, restricted, then it became portable, wide ranging, ever present. And photographers had to get out of the way of the videographer at major events. The news was the more realistic. News captured, not only and instant, but the entire instance.
In 2011, photographers seem to struggle with the naming of their actions. What is it that they do — shoot, or capture?

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