Women in Colour : Group Exhibition

26 April – 15 June 2019 at: galerie miranda

If only I could go, but that 4th dimension is still too hard.

Instead, this from the press announcement: Ellen Carey’s original research on the contributions of women photographers in colour/color started with Victorian Anna Atkins (1799-1871, England), who is also a pioneer in colour.  Carey’s thesis highlights the recent scientific discovery of tetrachromacy whereby women who carry this gene have four eye cones instead of three, allowing them to see more colours.  The consequences of this discovery reframe the history of visual arts.  Women in Colour: Anna Atkins, Colour Photography and Those Struck by Light was first exhibited at Rubber Factory gallery (NY) in 2017, the Paris edition brings a European focus with works by fourteen artists: Claire Aho, Merry Alpern, Jo Bradford, Jo Ann Callis, Ellen Carey, Patty Carroll, Elinor Carucci, Susan Derges, Sally Gall, Meghann Riepenhoff, Mariah Robertson, Chloe Sells, Brea Souders, Nancy Wilson-Pajic

Jan Groover

How much craft does it take to make a picture; a career?

“Even though it sounds stupid and it sounds cold ‘Formalism is everything’

is not a bad thing to say.”

– Jan Groover –

Much discussion occurs among photographers about process and such. To my ear, this is akin to deciding which side of the toilet paper is better. In the end, it doesn’t matter. The object is a carrier.

technical prowess, I need to know as much as I need and no more

Jan
Jan Groover on technical

Jan Groover (April 24, 1943 – January 1, 2012) was an American photographer who spent the last years (1991->) of her life in Montpon-Menesterol, France, with her husband, painter Bruce Boice.

Jan Groover, profile

Groover was also the subject of a short film by photographer Tina Barney entitled (Jan Groover: Tilting at Space, 1994).

Short Bibliography:

  • Danese, Renato, ed. American Images. New York: McGraw-Hill, 1979, pp. 140-49. 
  • Danoff,Michael I. Jan Groover: Color Photographs. Milwaukee, Wisconsin: Milwaukee Art Museum, 1980. 
  • Euclaire, Sally. The New Color Photography. New York: Abbeville, 1981, pp. 35—41, 58-67, 257-58.Danese, Renato, ed. American Images. New York: McGraw-Hill, 1979, pp. 140-49. 
  • Green, Jonathan. American Photography. New York: Abrams, 1984, pp. 154—55, 222-23.Danese, Renato, ed. American Images. New York: McGraw-Hill, 1979, pp. 140-49. 
  • Groover, Jan. The Attributes of Positions: Semantics of the Highway. New York: s and m, 1973.
  • Jan Groover: Photographs. Purchase, New York: Neuberger Museum, State University of New York at Purchase, 198
  • Groover, Jan. The Attributes of Positions: Semantics of the Highway. New York: s and m, 1973.
  • Sobieszek, Robert. Masterpieces of Photography from the George Eastman House Collections. New York: Abbeville, 1985, pp. 408-09, 440.

She is represented by Janet Borden Inc.