Only Human: Judy Dater

I wanted to like this book, but couldn’t. I wish I could recommend it, but I can’t.

what recommends a book to you? a reference from someone you trust; a requirement. I took the recommendation without considering the source – a stopover of the camera shoppers ->The Online Photographer.

Who tells you is your first clue to the usefulness.
Their standard baseline language is a good groundline for what they will recommend. How well it will match your need. If their thought is first about equipment, then their range of thought may not be mature.

Words Mean

some matter more than others. and at other times they matter little. Knowing that they are selling is one thing. Both are elemental to making your online life safer, abler.

An artlife cannot be filled with many distractions and dead ends. 

Which is why I am passing on my caution about this book.

Expectation Experience

daterBook.jpeg

Book Blurb

Only Human is a taught and poetic compilation of images that emphatically reveals the breadth of Judy Dater’s achievement as a photographer over five decades.  We see that her photographs are concerned with acknowledgement, with personal identity and belonging, with loneliness and solidarity. The best of them possess a beauty, intelligence, and complexity that elevates them above the merely interesting to the often profound

 

The Show

The work is also a show at the DeYoung.  April 7, 2018September 16, 2018

This exhibition will provide a survey of Dater’s work, celebrating her achievement as a pioneering figure in 1970s feminist art and her subsequent creative evolution.

 The DeYoung, when photography was young, sponsored a changing view of photographyNow, what could have been wide eyed is just sleepy. The Dater work hasn’t grown, although it has aged. That can be said about many of the early voices from that era, that place.

Judy is a three legged photographer – her work is static. She photographed like Jack Welpott, her MFA teacher and husband of several years. Those around you can take you only so far.

Better Than The Book

Judy provides better words and pictures on her web site. (Jan 2018)

I rely on the chance encounter; my morning strolls, a party or exhibition openings are often my sources for finding subjects. – Judy Dater

Judy Dater was better presented in Lustrum Press Darkroom 2 this site  which is where the (above) photograph of her working the camera appeared.

Utata provides the best offering about Judy Dater. This is a taste:

Because of her work in the 1970s…and in particular because of that one photograph of Imogen and Twinka…Dater has secured herself a place in photographic history. In a way, her story is a cautionary tale. Sometimes talent fails. Nobody knows why; it just fails. [ here ] jan -18

As Aside

When you look at the picture of Judy featured on this page, (from the Lustrum book), what do you notice? The camera, the background?

You don’t see her face, but do see her nipples. That was more than the time, to be braless, but it was the role. Breasts among the books, with a camera to explain it all.

Photography has grown beyond that, at least for most of us

 

Baltz – Brief Read

Views enlarge what they engage. Whenever primates look in one direction, they see two views, one through each eye. The camera blocks parts of the world; words the other.

“Untitled” Baltz : (1974 ) first published in  Image volume 17 number 10 June 1974 . George Eastman House. This was published the year before ‘New Topographics,’exhibit held at Eastman. In this short essay of 8 paragraphs Baltz provides summary estimates of “typical” industrial sites; where, why, how. Reading it all these years later, I don’t remember it from then, though I subscribed to Image, there is a desolate tone. And, the final paragraph does offer a (mild) condemnation, as well as an erroneous assumption about likely economic actions.

“Panegyric” Baltz. The praise is of Larry Sultan, from the “Larry Sultan” book. A brief, but strong statement of appreciation of Larry as the person. Recalling time with Larry, Henry Wessel, and Baltz playing racquetball; avoiding talk of their different work.

These are pieces of Lewis Baltz, discovered as I was looking for something else. I knew Larry – I went to school at SFAI in the same class as him, Mike and 6 other people.

I never knew Lewis Baltz, but feel I know much more about him now. We are lucky he left us so many words.

  • Sultan July 1946- December 2009  (aged 63) cancer (wife Kelly)
  • Baltz September 1945- November 2014 (aged 69) cancer & emphysema

ISBN-10: 1934105295 &  ISBN-10: 3735600697

Eat your vitamin A, C, D, exercise doesn’t prevent cancer.

Lewis Baltz (September 12, 1945 – November 22, 2014) was a visual artist and photographer who became an important figure in the New Topographics movement of the late 1970s.[2] His work has been published in a number of books, presented in numerous exhibitions, and appeared in museums such as the Museum of Modern Art, Paris, Museum of Contemporary Art, Helsinki, San Francisco Museum of Modern Art and The Whitney Museum of American Art, New York.[citation needed] He wrote for many journals, and contributed regularly to L’Architecture d’Aujourd’hui.

Publications

  • Landscape: Theory, Lewis Baltz, Harry Callahan, Eliot Porter, Carol Digrappa and Robert Adams, 1980 ISBN 0-912810-27-0
  • The New Industrial Parks Near Irvine, California, Lewis Baltz and Adam Weinburg, 2001 ISBN 0-9630785-6-9
  • The Tract Houses: Die Siedlungshauser (English and German Edition), Lewis Baltz, 2005 ISBN 0-9703860-4-4
  • The Prototype Works, Lewis Baltz, 2010 ISBN 3-86521-763-X
  • Mario Pfeifer: Reconsidering The new Industrial Parks near Irvine, California by Lewis Baltz, 1974, Lewis Baltz, Mario Pfeifer, Vanessa Joan Mueller, 2011 ISBN 1-934105-29-5
  • Lewis Baltz: Candlestick Point, Lewis Baltz, 2011 ISBN 3-86930-109-0
  • Lewis Baltz: Rule Without Exception / Only Exceptions, Lewis Baltz, 2012 ISBN 3-86930-110-4
  • Lewis Baltz: Texts., Lewis Baltz, 2012 ISBN 3-86930-436-7
  • Lewis Baltz, Lewis Baltz, 2017 ISBN 3-95829-279-8

References