Category: On The Road

while along the roadway… away from the regular places

In Frank’s West

Posted on Posted in minimum daily requirement, On The Road, The In between, Theory, visual mindTagged , , , , ,

Cover to uncover… picture making method. Meaning within the frame. Understanding what comes from beyond the frame.

US 91, Leaving Blackfoot Idaho shows two young men picked up by the photographer. Though the men seem intently focussed on the road, the car windows are blank. A text by the English philosopher and statesman Francis Bacon is in the visor; this Frank had copied down when he visited Dorothea Lange before he set off on his journey to find the heart of America.

one aspect of “reading” for understanding is in your covering items contained within the frame… What is lost

in this instance, it is very difficult to understand the text — it cannot be read .. it is mere squiggle. What would it be?

We have to leave the frame for the content..

That text reads: ‘The contemplation of things as they are/without error or confusion/without substitution or imposture/is in itself a nobler thing/than a whole harvest of invention.’

https://www.artic.edu/artworks/87174/u-s-91-leaving-blackfoot-idaho

For the second half of Dorothea Lange’s life, that quotation from the English philosopher Francis Bacon occupied space within her day. She pinned a printout of those words on her darkroom door in 1933. It remained there until she died, at 70, in 1965 — three months before her first retrospective opened at the Museum of Modern Art in New York .

Referenced in publications

proof sheet: https://www.nga.gov/collection/art-object-page.78965.html

2 possible frames … chose the one without the space between the figures.

same configuration choice in next row of grouped figures.. make the group of one blob.. cluster into single tone pack

Robert Frank’s book, The Americans, is divided into 4 sections. Flags mark the divisions of the book.

  • Flag blowing.. Parade, 1955.. two people “looking” out of windows (First Chapter)
  • Flag hanging over stripe shirt, and… Fourth of July, Jay, New York.
  • Flag as shade… Backyard, Venice West, California.. just two pages after Bar, Detroit.
  • Tuba player… 1956, Political Rally, Chicago (Fourth Chapter)

Robert Frank (b. 1924) traveled across the United States to photograph, as he wrote, “the kind of civilization born here and spreading elsewhere.” During his nine-month journey, he took 767 rolls of film (more than 27,000 images) and made more than 1,000 work prints. He then spent a year editing, selecting, and sequencing the photographs, linking them thematically, conceptually, formally, emotionally, and linguistically. https://www.sfmoma.org/press/release/sfmoma-presents-looking-in-robert-franks-the-amer/

picture post… Burnside Powells

Posted on Posted in as written, book shelf, minimum daily requirement, On The Road, picture post

from walkabout.. driving by, during rain, went too quickly. These were the slower version, a day or so later. The blue windows got me. In the mist, they seemed bluer than in this AM sun.

Text on the table was Auerbach’s Mimesis. Picked up in Portland during 2014 trip. What does that have to do with the pictures … don’t know, yet.

mimesis notes -- prompts, since the answer changes more often than the question
-- what is reality
-- what is a portrayal (of reality)
math itself is an analysis, a synthetic formulation of reality./ it proves and approves itself
by definition... is math a science or a philosophy

LONG QUOTE, from the epilogue, which I took as my prelude around 1963..
"the interpretation of reality through literary representation or “imitation,” has occupied me[ Auerbach] for a long time. My original starting point was Plato’s discussion in book 10 of the Republic—mimesis ranking third after truth—in conjunction with Dante’s assertion that in the Commedia he presented true reality. As I studied the various methods of interpreting human events in the literature of Europe, I found my interest becoming more precise and focused. Some guiding ideas began to crystallize, and these I sought to pursue.
The first of these ideas concerns the doctrine of the ancients regarding the several levels of literary representation—a doctrine which was taken up again by every later classicistic movement. I came to understand that modern realism in the form it reached in France in the early nineteenth century is, as an aesthetic phenomenon, characterized by complete emancipation from that doctrine. This emancipation is more complete, and more significant for later literary forms of the imitation of life, than the mixture of le sublime with le grotesque proclaimed by the contemporary romanticists. "