Making up HC-110

was it a key. who knows who knows what they know.

HC-110 entered the stream as an addition to dye transfer printing. My view. It appeared in literature distributed to the avid darkroom “enthusiast.” — what we called the Dentist Darkroom. Over time, Kodak taught the duo Super-XX and HC-110 to the weekenders and small, part-time printers. The reputation grew thru repetition. This century, with a sense of failing industry, HC-110 held onto its claim of mystic value by being difficult to make, hence, it would be a catastrophe for it to disappear. The value of association plays background to this.

Dye transfer, large shops, had multiple lines. The small ones could use HC-110; however, the large, deep lines would never be taken over by HC-110, so, DK-50 remained.


Enter the gossip track…

IN A SLIP OF THE LIE, HE TOLD THE TRUTH.

Back to HC-110 original style. MSDS sheets aren’t required to list every ingredient, just hazardous ones, and with trace or trade secret ingredients exempt from being listed. I know someone who didn’t formulate a personal batch; but he had access to a major research lab, and the right background to do it. It was tricky. Certain ingredients aren’t ordinarily available.]] photrio. He probably meant to say he knows someone who DID make it. The reason he makes the claim is to bolster his standing among those of little standing.

final state of ausi — info being sent to chemists.

Of course, all this work was for the Old HC, the syrup, not the current HC-110.


The patents tell more. The 1959 patent is about concentrated developers. The motive is for reduced storage space, faster mixing as well as modifying gammas of film without resorting to multiple developers. The 1964 patent provides information about dilution effects. Dilution reaches a limit, which is why Kodak listed the few dilutions they did. Patents do tell a story to those familiar with reading them.

agitation changes shape of curve. Same film, & developer(DK50 1:1) difference is agitation scheme.

I used HC-110 after using DK-50. I began making masks and seps with DK-50 — after the HC syrup disappeared, I returned to DK-50. My lab films are Ilford: Delta, PanF+, FP4+, and Ortho Plus. These films provide what is needed to make masks and separations for color and BW procedures.

Avoid the forums (my recurring theme) — use manufacturers first; then check with old texts. Use google books. Most important: try things, keep notes. Be certain to follow the information of those who have done more than repeat overheard counter-talk.

Once the syrup hit the water, its main purpose is lost. Once the syrup left the manufacturing, the major value of those researchers was lost.

for the Syrup, (kodak Honey) version. HC-110 thick is gone, only thin remains

Characterizing film+developer combination isn’t as time consuming as re-formulating a compounded chemical like HC-110. Falling back to DK-50 from HC-110 is a few hours effort, not days, certainly not the months expended trying (and failing) to compound the Aussie HC-110.

lab. 12/18 Fujifilm

What Fujifilm knows. Two interesting patents about color print/ display materials. Also contain light sources used during testing of the new material.

People. Patents. Products. Find the people behind the knowledge and you will learn what the product solves. Meindert Slagt has few patents. This one lists several people with multiple patents. Jun Matsumoto came about in reviewing other patents of the holders. He is a key researcher for Fujifilm. Finding the addresses of each of these researchers locates their research building.

The need to provide a different print material, one designed to solve the problems of prior silver/color printing in being used in a digital /scan printing system.

  • A: “light-sensitive material after digital exposure.”
  • B: “it is obvious, that in digital exposures other problems have to be solved to obtain a very good color photograph.”
  • C: “a high-quality image with higher desnity is requested for the transmission-type light-sensitive material.”
  • D: “if the difference in density is too small, it is difficult to obtain satisfactory image quality in the points such as black depth…” difference too higher, problems such as delay of development in lower layer(s)…
  • E: a snippet describing a single layer (the Fifth) of the display material. This is the Red-Sensitive layer. Notice that there are 5 Cyan couplers indicate, and eleven “color-image stabilizers.” Describing all the chemistry would take months.

>> https://patents.google.com/patent/US20060068338A1/en ” as to technique to prepare a color print, printings by both conventional surface exposure and scanning exposure have been practiced, and color print materials for each exclusive use have been put to practical use. Therefore, at the site of color print preparation, two kinds of color print materials are necessary. In the past there has been a vast amount of developments in order to improve the response to light of silver halide systems in order to obtain the best results upon analogue/surface exposure. ” Inventor Meindert Slagt Akira Kase Peter Franciscus Van Asten Yasuo Iwasa

>> https://patents.google.com/patent/US20040157175A1/en “As a method to expose a light-sensitive material according to digitized image information, an image-forming method in which scanning exposure is carried out using a light source of high light intensity such as a laser or LED, has been rapidly gaining popularity. Resulting from the recent popularization of laser printers and digital prints, the above-said image-forming method has been common. Accordingly, there has been a continual need for a light-sensitive material having characteristics suitable for laser exposure and digital exposure. As print for a display advertisement, higher image density is requested, because a vivid image must be provided from its purpose of use.” Jun Matsumoto Shinichi Nakahira Hidekazu Sakai

—- plus, updated posts: this on portra