Slavich Arrives

Samples Arrive

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the paper arrived this past friday. I had some other work to get out before getting round to some tests of this paper. It came from Los Angeles, the distributor/importer. Packaging wasn’t good, but I never expect B&H packaging to be as good as Freestyle. Although, since this was a drop ship order, I had hoped they would send it packed as though they understood how to pack light sensitive paper.
It just came in a blister pack — as though it were a catalog, or other advertising material intended for perusal and discard. This is what happens in shipping:
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Can’t blame the carrier, these breaks and folds are because the packing doesn’t hold the contents tightly. It wasn’t even a padded envelope. I don’t know what I will do if the paper turns out to be a winner. Seems dangerous to consider ordering a large quantity that may not be packed properly for shipping.
Included instructions. They also include formulas for developer,stop, and fix baths. This is thorough tech data.
Slavich

Henry: Controls in Black and White

Richard Henry’s oft quoted study of the variables in making black and white photographs was meant to test common, and widely held opinions among darkroom practitioners.

Henry did his work in 86-88 time using Ilford and Kodak products. Chapter two is overview of the equipment and supplies used in his testing. Haist’s book[s] were published ’79; he finished writing them in ’78, although the last copyright was 2000.

It is remarkably different in content, intent, approach and result to the Lustrum Press “Darkroom” set of books. I direct people to those over this book, and strongly advise against the Ansel Adam’s series. I bet you already own Ansel’s books and google brought you here thinking you’d get a free look. Sorry, just some summary info, although I have mentioned his conclusions throughout posts and I do use his results to inform my process.

In Brief: Everything You Hear on The Forums is Useless.

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The magic bullets: Dektol (1:1); D-76 (1:1)

My magic bullet: make more pictures, even if they’r digital. Read books that don’t have charts and formulas — this assumes you are after what is sold by the workshop world as “vision.” I don’t know if you will get vision. I don’t know if you’re capable of making pictures that X or even Why.

I am certain that the longer it takes you to get beyond the methods books and message boards the less likely you will reach satisfaction in image making or photography.