Mimesis eventually mimes itself
a copy of a copy — the barber’s walls
Above from an overnight — finding that it mates with a technote. technight : below
making duplicates or copies is trivial — schematically. circa 1980, we in labs had ready available lab films suited to the process flows of this note. I’ve written notes about the how-to using current emulsions — somewhere on webionaire.
above and below. how I know.
[The mode of literary criticism in which Mimesis operates is often referred to among contemporary critics as historicism, since Auerbach largely regarded the way reality was represented in the literature of various periods to be intimately bound up with social and intellectual conventions of the time in which they were written. In this he followed Giambattista Vico.]– wikip
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