Category: The Other

Art As Cycle

Posted on Posted in Carp Fishing, The Other

making art is a process.
many things linked into a thing. Built by stages, the work comes into the world. Most of us think that we have an unreproducable process. Most of those who make few marks, await inspiration, or vacation, before working. Some, those procrastinators, think that thinking is the only stage that matters, so they only think. All fine, for them, but for me, I like dancing with arms and legs, with left and right and with back and forth movement.
I like to fill my life with the making. So I am suprised, even to near disbelief when a Long Time Poster — Moderator — Teacher says:

I tend to develop film once a year-usually over an intense two week period.

What strikes me is how a working artist can work so little, and be an artist with growth. He probably thinks he knows his work so well he doesn’t have to soup it more often.

My cycle is much faster. More revs. More reviews. Much more shooting – souping – proofing – work print — MORE & More Often.
I prefer to see my work grow into patterns, revealing other possible arraingments. It has seemed to me to be like trying to draw without ever seeing the drawing, or by having someone else interpret your drawing … Maybe I’m just too enthralled with seeing what I’ve made. Seeing it along other work — mine and others.

Studio time and study time are major parts of the creative cycle. Be as cautious of following a person who has no drive to complete their imaging, as you would a dance instructor who prefers to hang out at Taco Bueno discussing shoe laces

what is the best color film

Posted on Posted in the Lab, The Other

What type of camera, or will you decide that after picking up your film?
What do you want the film for; your purpose, or use?

Film is an intermediate — a step along the way to something else. Color negative provides greater versatility than transparency film, but transparencies can be viewed and evaluated easier than negatives. With negatives you can make prints, easily. Prints are the designed goal of color negatives. Slides scan easily, so a film to digital process could be an easy pathway to follow.

I prefer using color negatives. Always have … back when film was the mainly, there were more choices than time to decide. Now, the choices are very limited.

Current Roll Films

220 Film

  • Kodak Portra 160 Color –
  • Kodak Professional Portra 400 Color Negative

120 Film

  • Kodak Ektar 100
  • Kodak Portra 160
  • Kodak Professional Portra 400
  • Kodak Portra-800
  • Fujifilm Pro 400H / Fujicolor

Kodak has pulled from the transparency (chrome / slide) business. Fuji color has more films available for transparency shooting, but they do have the one negative film 400H. They are, also, the main (only) maker of color paper.

I shoot Kodak Portra 400, in 120 and 220. It is easy to maintain consistency with this simplification of process. I could have chosen Portra 160, since it’s available in 120 & 220, but I prefer shooting at base of 400 speed. I enjoy the latitude in exposure; it also makes switching to BW quicker, since I shoot Tri-X, also at 400 base.

Notice that my choices aren’t based upon sharpness, grain, nor any other XZW, it is based upon inclusion in my artistic process. I go out, either to the street, or the studio, and shoot — then soup; — If the grain is too much, or too little; if the negative is too soft, or sharp, I adjust, either by re-shooting, or altering in post procedures. In that way, I spend more time making pictures for what they look like to me/

bees dance to live –but first they hunt.