“If, raised by the power of the mind, a man relinquishes the common way of looking at things, gives up tracing, under the guidance of the forms of the principle of suflicient reason, their re ations to each other, the final oal of which is alwa s a relation to his own will; if he thus ceases to consider the vsirhere, the when, the why, and the whither of things, and looks simply and solely at the what; if, further, he does not allow abstract thought, the concepts of the reason, to take possession of his consciousness, but, instead of all this, gives the whole power of his mind to perception, sinks himself entirely in this, and lets his whole consciousness be filled with the quiet contemplation of the natural object actually present, whether a landscape, a tree, a mountain, a building, or whatever it may be; inasmuch as he loses himself in this object, i.e., forgets even his individuality, his will, and only continues to exist as the pure subject, the clear mirror of the object, so that it is as if the object alone were there, without any one to perceive it, and he can no longer separate the perceiver from the perception, but both have become one, because the whole consciousness is filled and occupied with one single sensuous picture; if thus the object has to such an extent passed out of all relation to something outside it, and the subject out of all relation to the will, then that which is so known is no longer the particular thing as such; but it is the Idea, the eternal form, the immediate objectivity of the will at this grade; and, therefore, he who is sunk in this perception is no longer individual, for in such perception the individual has lost himself; but he is pure, will-less, painless, timeless subject of knowledge.”
Affinity Photo — In One Word
NO
don’t bother. There is a reason you must pay before trying. Not even close to a replacement for,,, well, for any of the main editors
Testing Paper Sizing — alt processes
Paper sizing provides paper internal strength, making it more durable so that we can handle it without damage. There is a trade off made about resistance and paper characteristics. Most art papers have an internal size introduced during manufacture.
Chemical processes useful for photography are liquid so will wet the paper and sink into it. This may weaken it to the point of damage. The paper may be so absorbant that the ’emulsion’ sinks into the paper beyond useful range. This would be the case in a pigment process where the unexposed portion of the image must be washed away. If the unexposed portion of the ’emulsion’ won’t wash off, then there won’t be light tones in the image.
Most people automatically size papers for use in the pigment-colloid processes (gum, carbon). It is easy to test the paper for sizing need. Equally easy to check the suitable sizing procedure.
mix the base color with colloid. drop onto the paper. do not sensitize the mixture. allow it to dry, then wash it off. If this washes out, your paper doesn’t need any sizing. it is unlikely this will be the case. the ‘paint’ will likely stick to the surface fibers of the paper. Next step is to mix your sizing and apply. Run the ‘paint’ step again. If the paper clears, you have a good size procedure. With this known, you can proceed to make your carbons, gums, confident that any clearing problem isn’t because of paper sizing.

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