Large Format Quits

because of questions asked me after my post on the Meltdown , I’ve put together some notes on why people stay, or why they leave.

After the fight, who gets back onto their barstool, to talk about shoe-laces, lens makers, plastics adhesives, dilutions, destinations after their job closes. Who are these inveterate photographers, dedicated to talking about only photography – well aren’t these the topics of photographers? They are in the Land of Large Format Photographers.

Who Stays Anyway

The Hall Monitors

Why do Garret, Sal, Randy, Kirk .. stay -simple: they aren’t offended. In fact, they voice weak interest in the topic, only becoming upset when their (Gittings) self sanctioned art house is proclaimed, quite honestly, not a place of art. But that only applies to Kirk Gittings, the others have no argument with what is done. They may even think more discipline is needed.

Kirk has used the forum for career advice, website advice, complaints about pricing, hell just about anything. He has even accepted, and explained the reason that discussion beyond lens and film is a problem with the Large Format Forum. Wonder how his students like learning from a Batch Teacher.. someone who soups so infrequently that he comes to the forum to get an update on procedures.

The Unknowing

The vast majority are simply unknowing. They don’t know what photography could be, or is to large chunks of the art world. They don’t know because they don’t come across it. They came across this site (LFPF) because they have a buying, or technical question. Something of general interest. Presto, that is what the Google does well. Route easy questions to a common point.

Who Stays & what do they call art?

This exchange between a long timer and new entrant will clarify the mindset of the STAYS.

lfpf
What Passes For Helpful Crit

The exchange is over a Landscape thread- one of the longer threads on LFPF, between Corran (screen name for Bryan Garris [ web ]

The highlighted phrases demonstrate the restrictions these people place on, not just themselves, but on everyone else. These limits, these boundaries are limitations of their working aesthetic. They limit, not just the preferred subject, but its mode of rendering. The ‘INTERESTING THING’ should be “beautiful light or textured sky,” or quite unhelpfully: “something else.” As long as it meets the expectation of the other devoted weekend photographer.

The triggering phrase that fomented the exchange “I would not waste film.” can only trigger someone who trusts the statement enough to give it more value than his own internal aesthetic. “Corran” seems the insecure stay behind, not trusting his own ability, saying (for explanation) “I am learning a new place.” — must mean that photographs must be made of places you’ve known. Again, this is reading the world from a vary limited visual vocabulary. Sadly, Corran was one of the supporters of the DOOMED THREAD of Richard Man. He commented enthusiastically in favor of it, as well as condemning the heavy handed Oren Grad, et. al. for chopping it off,along with terminating the threads of dissent.

This is a form of the weakest stays. They protest, but not enough, not in a way that matters, because they have no other way of satisfying their need. Sadder still, they don’t know enough to understand what they need. Saddest of all, they may be teachers!

The Uncaring

This is the bulk of those who stay. They are dependent, unable to work on their own, therefore, no matter how much battering, bickering, bluff, or bullshit comes their way, they must stay. This is the great 85%

The Stays, Stay to Quilt, calling memorabilia photography.. the people who wanted to discuss and grow in understanding photography just quit. 

What’s The Matter

Photography draws fine distinctions between its practitioners. A place that can’t permit those who would develop their range of possibilities isn’t a place that should be of interest to people with growth potential. If you want to grow your artistic practice in photography, do it with better people than the stay behinds at such places as LARGE FORMAT PHOTOGRAPHY FORUM.

NB: Organic Turns, Quits, or escape should be 5-15% …

 

Large Format Meltdown

Updated: Sep 5, 2016 … more info coming on rationalization of stays.

A firm in transition, being directed by a firm hand but uncertain direction. Behind the needs of the member users – those who provide the free labor which drives the value of the investment. Recently the Large Format Photography Forum had another incident of escalating thread closures.

Moderators change online interest groups. Some increasing, but most decreasing member variety and vigor. For decades, psychologists and sociologists have studied control within groups, the simplest repeated experiment is in giving control to someone who doesn’t have great control in their daily life. They tend to increase the exercise of discipline, even to the extreme. Many ‘new managers’ strike a very harsh standard seeking to improve the group they’ve begun managing. Some professions attract these people, reinforcing their existing sub-clinical need to be respected.

This Isn’t About Art

Forum Not Art
LFF isn’t about art

Change over time

largeformatMeltdownI.001
Large Format Forum Feedback Threads

The feedback section is the ‘suggestion box’ of a forum. Every time a skirmish happens, the mods change rules in an effort to maintain the order, and keep those they wish. They freely bump/ ban others, usually those new to the board. The big changes occurred over changes in the Buy/Sell section, and in clarification of the definition of Large Format. This was solved by keeping the definition, but in permitting something that had been in the members only area to be brought out into the Indexed domain of the site.

Symbolically, the “image threads” are between “Gear” and “Lenses.”

LFPF origin: when the large format forum opened imagery wasn’t the purpose. The first posts were about lenses(1997) and locations for landscape(1998). The image share and discuss began in 2007. The pace of imagery added, increased with the addition of the “Everything Else” area. The LF arena has fewer new threads — there aren’t new topics in their visual dictionary. This activity is, as every arts teacher experiences, a result  of visual maturing.

As artists grow, they need to grow discussions, both in breadth and depth.

AND true to LFPF need to control, to limit engagement, came this new rule:

After digging around, we’ve found several threads that have been long on words and short on pictures. This is an image-sharing forum. Extended technical discussions do not belong here.

This is the direct opposite of what is said by Oren and Denny in the quotes shown at the head of this posting… Images only in Small… This is not an image site in Large…

Where They Are:

  • Too complex a set of rules to be understood, therefore they must be enforced.
  • People who have little power in the Real World get to exercise unlimited power in the virtual world of the forum. Anyone challenging them must be harshly eliminated, ejected from this ‘better place.’

The Fuse This Time

August, 2016

What was the topic… who lit the match? A troll? Lost soul? Real life/former physician ,,,

theDerail
Ask with Claim

Kent (aka Two23) enters questioning a photographic thread with words as not being photography .. His (claimed credential) that he ‘ earning a medical degree’ statistics suggested… sounds credible, but what does that have to do with photography, Kent?

So what do words and pictures have to do with photography? The difference between a place started for the weekend wanderer with a camera,  and the photographer is the difference between a community of practitioners and a community of interests.

This is one illustration… cramped without even opening the subject among knowledgeable photographers .. these type of things are standard assignments in art schools–

pictureWORD.001
words & pictures

 

Then the Mods Fueled the Fire

They closed the thread.. ejected some of the participants, but not the ‘mole’ the one who asked the unanswerable question (almost like this board defines a ‘troll’) Part of doing that raised the question of what this board is for?

O Grad & mods answered.

We reject both the conclusion and the premise. But we’re not going to argue the philosophical point.

Close the thread. Close all the threads. AND
meltdown

Ejected the Defenders

Defending is offending. Biting the hand that hit you.

A certain way of being ejected is to stand up to other ejections. This arouses the defects in your group. Note the “Dang it” by Two23. Yep, alive, active, still unable to understand what photography is, other than those shots you took on your vacation, or how symbols and images exchange places, making new cultural exchanges possible. Several people were ejected. To my reading, they were the ones offering alternative viewpoints of photography, ones that could form the basis of deeper photographic work. That isn’t the goal of this group of Conformists.

The Good Guys

  • Richard Man (his page) — no longer present
  • { StoneNY ] (his page) — he was ejected
  • Isaac Sachs  [ RHITMrB ] (his page) — he fought and was ejected

  • Darin Boville (his page) — though he is a STAY..

The Bad Guys

Tellingly, they don’t have websites, not even free ones. Anonymity isn’t the defect in online photography world (as Kirk Gittings a dedicated LFPF follower holds), the defect is lack of commitment to imagery. With several robust, long lived image sharing sites, free web hosting and management available for the price of an email address, there is no reason for the interested photographer not to have their own online portfolio.

The Stays

Some of the +1ers, those who had liked the thread, like many old drunks, cheered for their rights, but as soon as the floor was mopped, they asked for more free beer and their turn to write on the urinal wall.

There were around 27 people who participated in the threads expressing support, voicing approval, even calling for lighter hand in moderation. They said something, but they’ve done nothing.. well, they’ve stayed, even those who said they were so upset by this they would never return… Their indignation lasted less than 72 hours.

With friends like that, who need enemies– that is all the community that the Large Format Photography Forum provides. A Plus One and Done

Why? Why turn away, then return. The simple, direct answer is that they have to. They are like the members of a bachelor herd, unable to raise interest on their own, they hang out hoping to get a chance, maybe just one chance. These are the Randy Moe’s. They may not make it; not have the technique or drive, but then in this herd no one else does. We get to hang (out) together, since no one is going to hang anything.

Elsewhere

The original thread, with pictures is (Sep 2,2016) available at Richard Man’s page, here.

This impulse to enter, with other humans, through language, into the order and disorder of the world, is poetic at its root as surely as it is political at its root. Poetry and politics both have to do with description and with power. ” Adrienne Rich (May 16, 1929–March 27, 2012) 

No, this isn’t about art. It is about power; the assumption of property rights; it is about what happens when art isn’t the capstone of technique