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It was utterly in character that Sherman should comment on the project, Guest of Cindy Sherman, by e-mail. I had two questions. Was she ambivalent about the project? What did she think of the idea of taking a critical look at the hierarchy of the art world?
Here is her response: “Well, yes. I was and still am extremely ambivalent about the film, not that I don’t think Paul will do a great job, but that I’m in it. I wish he could tell the story without mentioning me. I thought it could be fictionalised or something. But I told him I didn’t want to participate actively; any past footage he had of me was OK to use.
“This is exactly the kind of thing I turn down all the time. But if anyone should do it, it should be Paul. And I liked the idea that it would be unexpected of me to have something like this made ‘about’ me. And, what the hell, I’ve just turned 50, why not accept the attention and let it take its course. As long as I can dye my hair afterwards or get that facelift people already think I’ve had. When he showed me the footage of his monologue and the clip reel I was completely won over. I think it will be funny.
“I think it will also be an interesting look at the underbelly of the art world, as you said, the hierarchy, from a perspective rarely seen. I’m all for it even though I’ll always cringe when I hear the title (why can’t they take my name out of the title?).”
— Anthony Haden
Work time: Photography
3 days shooting takes two days souping. Then come the selects, work prints, edits, and final delivery.
What does your week look like?
References: Imaging, conservation
- P Bergthaller. Couplers in colour photography – chemistry and function part I. The Imaging Science Journal, 50(3):153–186, 2002.
- RJ Tuite. Image stability in color photographs. Journal of Applied Photographic Engineering, 50(4):8, 1979.
- RL Feller. Accelerated aging: Photochemical and thermal aspects. Research in conservation [4]. Getty Conservation Institute, Marina del Rey, 1994.
- CC von Waldthausen. Photographic materials – exhibition problems and standards. Papier Restaurierung Mitteilungen der IAPA, 6(1), 2005.
- S Michalski. Double the life for each five-degree drop, more than double the life for each halving of relative humidity. In V Roy, editor, ICOM Committee for Conservation 13th Triennial meeting, volume 1, pages 66–72, Rio de Janeiro, 2002. James & James Ltd.
- AWT Bristow and TJ Bumfrey. Analysis of components of colour photographic paper by capillary electrochromatography. Chromatographia, 55(5-6):321–326, 2002.
- Eastman Kodak Company. Kodak professional Pro Image II paper. Technical report, Eastman Kodak Company, June 2008. E-4002.
fate, not fatal
“It is the fate of manufactured goods to slowly and gently depreciate as they get old… but it is the fate of operating systems to become free” – Neal Stephenson

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