Copyright © 1973 by Gregory Battcock

• Dore Ashton: “Monuments for Nowhere or Anywhere.” Reprinted from L’Art Vivant, July, 1970
• Jonathan Benthall: “The Relevance of Ecology.” Reprinted from Studio International, December, 1969
• Cheryl Bernstein: “The Fake as More.”
• Jack Burnham: “Problems of Criticism.” Reprinted from Artforum, Vol. 9, No. 5, January, 1971
• Joseph Kosuth: “Art After Philosophy, I and II.” Reprinted from Studio International, October and November, 1969
• Lucy Lippard: “The Art Workers’ Coalition.” Reprinted from Studio International, November, 1970
• Ursula Meyer: “The Eruption of Anti-Art.”
• John Perreault: “It’s Only Words.” Reprinted from The Village Voice, May 20, 1971, by permission of the author.
• Arthur Rose: “Four Interviews.” Reprinted from Arts Magazine, Vol. 43, No. 4, February, H:l6\:l,
• Harold Rosenberg: “Art and Words.” Reprinted from The New Yorker, March 29, 1969. Copyright e 1969 by The New Yorker Magazine, Inc.
• Seth Siegelaub: “On Exhibitions and the World at Large: A Conversation with Seth Siegelaub.” Studio International, December, 1969
• Lawrence Weiner, Daniel Buren, Mel Bochner, Sol Le Witt: “Documentation in Conceptual Art.” Arts Magazine, April, 1970
• Robert Hughes: “The Decline and Fall of the Avant-Garde.” TIME, The Weekly Newsmagazine; copyright e 1972 Time, Inc.
• Les Levine: “Les Levine Replies.”

The Operational Word is: NEW