Category: book shelf

reviews and essentials –

any bus can

Posted on Posted in book shelf, minimum daily requirement, overnight notes

… only take you so far…

how do i learn?

did gursky make it further than bernd?

non-nutritional meaning of food

finish not just start

not only great starters

“a fortune many times; confidence only once”

The Cinematic
Whitechapel: Documents of Contemporary Art

In 2006 London’s famous Whitechapel Gallery and MIT Press formed an editorial alliance to produce a new series of books. Documents of Contemporary Art combines several features that do not often coincide in publishing:  affordable paperback prices, good design, and impeccable editorial content. Each volume in the series is a definitive anthology on a particular theme, practice, or concern that is of central significance to contemporary visual culture. The artists and writers included in these books, like the guest editors who conceive them, represent the diversity of perspectives, generations, and voices defining art today.

Series editor: Iwona Blazwick

Kosar (4) “The tanning theory has never succeeded in explaining the most remarkable feature [of dichromated colloids]: that colloids containing only very minute amounts of dichromates can be completely hardened, providing that the exposure is sufficiently long.

Steichen: One Picture

Posted on Posted in book shelf, Criticism, on photographers, overnight notes

Clement Greenberg reviewed Steichen’s “A Life in Photography.” [1964] and wasn’t impressed… only one photography was worthwhile: the 1921 Dancer’s Hands.

“one wonders at what must have been the lack of a capacity for self-criticism that let Steichen abandon the straightforwardness of these (early) works..”

Clement Greenberg reviewed Steichen’s “A Life in Photography.” [1964] and wasn’t impressed… only one photography was worthwhile: the 1921 Dancer’s Hands. Saying: “..nicely composed … would be artistically inert were it not for what the woman’s arms evoke of attractive femaleness…”

“Photography’s advantage over painting… the enormously greater ease and speed with which it achieves realism. This speed and ease have radically expanded the literary possibilities of pictorial art.”

The windblown “Wind Fire” image is of a student. It strikes me as being one flavor of the terpsichorean image of John Wimberley (a key person in the revival of pyro negatives)

Terpsichorean pose

Sources:
https://www.academia.edu/30974476/Footprints_on_stone._An_outline_of_Isadora_Duncan_presence_today
http://www.artnet.com/artists/edward-steichen/
https://www.christies.com/lotfinder/Lot/edward-steichen-1879-1973-wind-fire-therese-5972040-details.aspx
https://huxleyparlour.com/artists/edward-steichen/
https://isadoraduncan.org/foundation/isadora-duncan/
http://www.isadoraduncanarchive.org/dancer/3/


https://www.theartstory.org/artist/steichen-edward/artworks/
https://theculturetrip.com/north-america/usa/california/articles/ladies-we-love-isadora-duncan/