Pictures. Captions

Stieglitz. Odette England.

Finding like images is easy enough, even when the photographers are far from alike. Time separates everything. These two pictures come from distinct generations. Stieglitz had very different struggles than England has. Alfred Stieglitz is a canonized name; Odette England isn’t; she is on an ascent a century (2023) after Stieglitz made his picture (1923).

Alfred Stieglitz made the picture whose caption carries the weight of the image. Spiritual America.

Spiritual America. (or Songs of the Sky A1) 1923. Silver gelatin print.

11.6 x 9.2 cm. (4 9/16 x 3 5/8 in.)

in the Alfred Stieglitz Key Set

Odette England has published three award-winning books, including Dairy Character, recipient of the 2021 Light Work Book Award. Dairy Character is published by Saint Lucy Books. These two associations ring a Jungian bell — I was in Syracuse as Light Work formed, and am an alumnus of the arts school of Saint Lucy’s founder. Those two things mean little to nothing other than being the catalyst for my buying the book.

Once released into the world, texts of whatever form, form their ripples in the perception of their keeper. Books are the key stone of photography, writing in all its forms: text, or image. Ms. England is a shaper of words as much as of images. The text of the book, those inner pink pages, [ K04. Pink Dust]

Captions carry meaning. In this century with a flood of photobooks, text expands. Text in art books is usually written by an arts writer. A critic, or curator provides the context and interpretation of the imagery. There aren’t many James Baldwins. There are many well informed, eloquent writers on photography. There are few photographer-writers.

Ms. England is a story teller. This is a story about her place.

I also have her Past Paper Present Marks; more, some other time.

Caption expands to fill the meaning, until it becomes the meaning.

Monday Midway

after a week of reading… midnight day way… I am yet to finish in clarity, with meaning. Ideas don’t stack as well as books.

A progress from the table. These (unwritten) things were prompted by Wall’s text.

it started with an essay from this book

which lead to these books

until now, I’ve piled more on the table.

made pages of notes. Have bogged myself down.

oh well, this isn’t going to save me either.

which, I suppose, is why, occasionally, I divert myself with technical topic. They have an obvious ending.

Maybe just water the garden. Think about why seeds become more. Plant and seed again.

any bus can

… only take you so far…

how do i learn?

did gursky make it further than bernd?

non-nutritional meaning of food

finish not just start

not only great starters

“a fortune many times; confidence only once”

In 2006 London’s famous Whitechapel Gallery and MIT Press formed an editorial alliance to produce a new series of books. Documents of Contemporary Art combines several features that do not often coincide in publishing:  affordable paperback prices, good design, and impeccable editorial content. Each volume in the series is a definitive anthology on a particular theme, practice, or concern that is of central significance to contemporary visual culture. The artists and writers included in these books, like the guest editors who conceive them, represent the diversity of perspectives, generations, and voices defining art today.

Series editor: Iwona Blazwick

Kosar (4) “The tanning theory has never succeeded in explaining the most remarkable feature [of dichromated colloids]: that colloids containing only very minute amounts of dichromates can be completely hardened, providing that the exposure is sufficiently long.