Groover on Technique

JAN GROOVER: Technical prowess? I–I know as much as I need to know and no more. 

I’m interested in seeing the thing. 

I could tell you how a view camera works. I could probably explain it to you, but I only know that from experience. I knew nothing about it before I bought one. I had some wild concept that you could change space, which you can. But once I bought the–once I bought the view camera, everything else was just eyeballing it. 

If the thing doesn’t look the way I want it to look, I’ll try something else.

the axis of the art world has tilted over the last 30 years.

Cornerstone Collections of Photography are held by:

The Metropolitan Museum of Art,

Getty Museum,

MFA Houston,

Art Institute of Chicago,

Nelson-Atkins Museum of Art,

LACMA,

SFMOMA

MoMA

Women in Colour : Group Exhibition

26 April – 15 June 2019 at: galerie miranda

If only I could go, but that 4th dimension is still too hard.

Instead, this from the press announcement: Ellen Carey’s original research on the contributions of women photographers in colour/color started with Victorian Anna Atkins (1799-1871, England), who is also a pioneer in colour.  Carey’s thesis highlights the recent scientific discovery of tetrachromacy whereby women who carry this gene have four eye cones instead of three, allowing them to see more colours.  The consequences of this discovery reframe the history of visual arts.  Women in Colour: Anna Atkins, Colour Photography and Those Struck by Light was first exhibited at Rubber Factory gallery (NY) in 2017, the Paris edition brings a European focus with works by fourteen artists: Claire Aho, Merry Alpern, Jo Bradford, Jo Ann Callis, Ellen Carey, Patty Carroll, Elinor Carucci, Susan Derges, Sally Gall, Meghann Riepenhoff, Mariah Robertson, Chloe Sells, Brea Souders, Nancy Wilson-Pajic