myth as word

during an extended reading, re-reading, cycle of Rothko’s notebook, my memory nag was over older texts read while younger — those from Ananda and from Alexander. Both were used in my teaching of experimental photography during the 70s.

course texts
from Ananda: Myth as first question
In asking, What is Buddhism, we must begin, as before, with the
Myth. This has now become the Founder's life of some eighty years,
into which period the whole epic of the victory over death has now
been condensed....

It is, furthermore assumed that a Buddha is born in every suc-
cessive aeon, and that Gautama Siddhartha was the seventh in such
a series of prophetic incarnations, and that he will be followed by
Maitreya, now a Bodhisattva in heaven.

for other religions
Like the Revelation (Sruti) itself, we must begin with the Myth
(itihasa), the penultimate truth, of which all experience is the
temporal reflection. The mythical narrative is of timeless and place-
less validity, true nowever and everywhere: just as in Christianity,
“In the beginning God created” and ‘Through him all things were
made”, regardless of the millennia that come between the dateable
words, amount to saying that the creation took place at Christ’s
“eternal birth”.

Alexander is the touchstone architect, city planner thinker, used by software developers during the explosion of code as engineering, hacker-mode as silicon culture’s maker mark.

D’Arcy Wentworth Thompson, On Growth and Form, 2nd ed.
(Cambridge, 1959), p. 16

Henderson, The Fitness of the Environment (New York, 1918),
page v: “Darwinian fitness is compounded of a mutual relationship
between the organism and the environment.”

Karl Duncker, “A Qualitative (Experimental and Theoretical)
Study of Productive Thinking (Solving of Comprehensible Problems),”
Journal of Genetic Psychology, 33 (1926)

. J. Archer, L. E. Bourne, Jr., and F. G. Brown,
“Concept Identification as a Function of Irrelevant Information and
Instructions,”

there’is a factor of judgment in the choice and use of a logical system
which we cannot avoid. Logical pictures, like any others, are made by
simplification and selection. It is up to us to see which simplifications
we wish to make, which aspects to select as significant, which picture to
adopt. And this decision is logically arbitrary. However reasonable and
sound the picture is internally, the choice of a picture must be, in the end,
irrational.

Consider the task of designing a complete environment for a million people. The ecological balance of human and animal and plant life must be correctly adjusted both internally and
to the given exterior physical conditions. People must be able to lead the individual lives they wish for. The social conditions induced must not lead to gross ill-health or to gross personal
misery, and must not cause criminal delinquency. The cyclical intake of food and goods must not interfere with the regular movements of the inhabitants. The economic forces which develop must not lead to real-estate speculation which destroys the functional relation between residential areas and areas supporting heavy goods.

.. more, or less, at some other posting

artworld names 01

The shortest of lists that could be made which, overtime ,will be added to , but not on this page. additions will be scattered ; part of the overnights and visual mind tags.

border words are the hardest, as are knowledge borders. is it soap.. a bubble .. a commodity of what world .

T.J. Clark — Robert Gero, Jay Bernstein Marc Redfield, Arthur Danto, Thierry De Duve, Diarmuid Costello, Andrew Benjamin, Stephen Melville, Adrian Rifkin, Paul Crowther, Wendy Steiner, John Hyman, Richard Woodfield, Anna Dezeuze, Keith Moxey, Matthew Rampley,


DUANE

Friday photographers : 5.29 ’26

uncorrelated link of photographers . they made my curiosity think

The book is not a niche, the book is the main street of Photography.

THEN LINKS === ‘The exhibition will foreground Monroe’s collaborative approach to image-making and her creative agency. De Dienes’ portraits offer some of the earliest photographs of Monroe — Muus Collection

=== ‘Throughout his career Hujar recorded more than a thousand photo shoots in his job books. These documents, transcribed and annotated by Olivia McCall, illuminate the contact sheets, rich in never-before-seen images as well as the earliest iterations of Hujar’s best-known works.’ Hujar:Contact — Mack https://www.mackbooks.us/products/hujar-contact-joel-smith

=== ‘Through extensive research and collaboration with women chasers worldwide, Chaplin Espenon advances a critical visual position in which storm chasing becomes an allegorical terrain through which broader structures of power, visibility, and autonomy come into view.’ risk as a gendered condition through storm chasing, : https://loosejoints.biz/products/blinded-by-your-grace

=== Thirty Cuts, Jim Goldberg. ‘His use of collage has been a mainstay of his practice apparent since the publication of his second book Raised by Wolves, published in 1995 by Scalo. This edition of only 750 copies from the Japanese publisher’ — https://www.dashwoodbooks.com/pages/books/30822/jim-goldberg/thirty-cuts

== OTHER THAN ==’Scholars @ Silver Eye is a year-long, intensive, work-based training program for college seniors from Pittsburgh-area universities with interests in photography, graphic design, arts education, art history, arts administration, and museum studies.’ https://silvereye.org/events/scholars-silver-eye


AIPAD 26 has concluded; press releases are at this link. YT will have public lectures… YouTube.com/AIPADPHOTO

I used AIPAD in the early 80’s as a sales place, a customer finder, a watering hole.. it is a trade organization, a gathering spot for showing wares. A showcase of the stable. As it is these things it attracts young or mid- career photographers. I found people in need of printing I also talked with some gallerists .. these people formed a small part of my contact and mailing list. I knew that if they knew about me but didn’t contact me or only wanted a price list, they weren’t a likely customer. I didn’t know that at first, but I learned. I also learned that going to trade shows and being on the floor isn’t as effective as being outside the trade-show talking with people gathering and discussing non-floor portfolios…

Beginnings1965: MFA fine arts photography within schools of art, and within universities with an art school
had to proceed a trade-show given to selling photography for the wall.
First comes understanding, next comes standing. The studio experience is key to the growth of photography as a wall art. It took approximately 15 years of art schools teaching photography as a studio art before there were enough galleries selling photography for there to be an association such as AIPAD.

The mature market for photographs as collectible items, as museum items, required the university and the educated collector .. The person prepared to treat a photograph as a fine art on paper suitable for putting on their wall.. work that they would live with; not the sterile work found in offices, but the vibrant work found in the home of the dedicated, mature collector.. beyond the sunset and moon-rise… more, some morning soon.

photographs are always colorized, it’s just that some tell better color lies