Fomabrom Variant IV 123 BO

A new emulsion from Foma, one of my favorite companies. I tried some FBVBO…

UPdate: this was a short lived emulsion run. Foma tries to find something for wide appeal; good for some of us, just not enough. The darkroom is fading, no matter how much the sidelines applaud the “analog revival.”

This was a paper that could be used for Carbro printing as well as Bromoil. Foma missed telling the carbon printers of that.

Summary: good paper (the stock itself) handling very well through processing steps. Emulsion is slower than other Fomabroms. It is very dead matte when dried. It does lith, but like all Foma papers, exhausts Fotospeed quickly.

Appraisal: It liths, but it doesn’t bring anything new to the lith party; just another surface.

I doubt this paper was intended as a lith paper for the ages. The name and direction card call it a ‘bromoil’ paper. I don’t do bromes, and am tending toward even less dependance on the chemical vocabulary to engage my art.

IMG_4311
Fomabrom Variant BO

Easy to use, slower than my other Foma papers. Will probably use this box slowly over the next year. Not a re-purchase. Too bad. I do love finding new papers. Maybe as I engage with it more than the 5 negatives of today, I will consider exploring it further. The last thing I do will be to use it in standard developers.

First impressions aren’t always lasting ones. At one time I hated Kodabromide.

#carbro #bromoil

Hobby Clatter

chopstix isn’t Chopin .. most people want to listen to Chopin or Monk, even though they can barely play chopstix.

trapped in the elevator listening to hobbyists discuss music they’re hearing between floors. not the stairway to heaven.

what it’s like on the LFF/APUG/LuLa forums

What’s Included?

IS THE WORK inclusive or exclusive…

layers of the portrait.. portrayal, example, at hand or

malick sidibe 14 apr 2015

asking ‘who is it’ early questions, easily answered (sub-text “is it important” why should I look at this how much will I have to look/see

reaching cross culturally

person personification personal

as example, as lighting problem, as proof of your own prestige, as class, as classification, as prototype archetype

affectionate / distant / aloof transient / uncaring — manipulative disingenuous

depiction not-fiction

the Scene … other people’s lives … everything external where commerce and price form the basic parameters of exchange

karsh resurrected homilies  … without humility

atheist homily

cookie cutter concept equals <> conclusion

what does the portrait portray ? the class cliche … pretense of dress-up .. honest at their interest … gain loss is never equal. there is no parity in this bit

small catalog to access for image. small dictionary of visual referents