Phil Who

The net is called democratic – everyone participates, hypothetically, with equal input and value. In a propertied, unequal society that cannot last. Distinctions happen. Differences will occur, then accrue. An eddy becomes a puddle which becomes a pond. Upon that pond frontage land will be sold. The For Sale signs arrive. The net was never democratic, just unsettled. An arc isn’t enough of a story. 

A change in media provides a jump ball, a reboot. Shoots after the fire, masons amidst the rubble. The first onto the mound aren’t the ones that will find the best salvage. That comes later, after the digging is easier.

Before silver turned gold, when Ansel was king, photographers gathered in small groups, usually around a school. The called themselves ‘workshops’ ‘foundations’ ‘works’ ‘communities’ and they produced ‘dialogues’ ‘studies’ providing ‘residencies’ ‘internships’ — those that survived did so because of the efforts of very few people. Phil Block was one of those people. He and Tom made a place where photographers could work, show, exchange, and stay awhile.

They provided Mike and Larry a virtual home for some of their work. The Billboards, for a short time spread across Central and Upstate New York. Names were used by most artists; always has been important in a checkbook and grants way. The railroads standardized time, the University Appreciation courses standardized on names, even naming styles and periods… good to have a noun as answer. A Proper answer.

Both Mike and Larry sought name/fame. That was and is the only pathway to pay, either through school or gallery. Ralph Gibson visited the institute (SFAI) with boxes of his books for sale. self publishers have to be self promoters I traded prints for books. I made prints,not money.

da Net Effect

Crossings are not easy. Filling out a blank page isn’t easy. Most people have difficulty with multiple choice so never attempt to fill a blank page. It is easier to link than think.

The people who wrote a little,and were able to publicize that, to link themselves to followers have gained the ARC of the online world. In less than 8 years we have acquired a new set of standard leaders. They now offer critiques, for dollars; set publishers standards ,for dollars. They are the turnstile at the bridge. And they got there because they claimed it. Just as Phil and Tom did. The difference between eras is that now, the online personality factory does it for their own gain; their own brand; their name.

Tom and Phil are just two of about a dozen people who built organizations and shared them readily. You didn’t have to pay them anything. Maybe that is why in this age you don’t know them.

Current celebrity art leaders didn’t build the road, nor the tools, they merely used them. Their website was built using free tools and borrowed ideas. They sought brand name and contribute more to the cult of celebrity than to that of creativity.

Gaining name is a goal: a person becoming a personality. being a branded property. They, as art leaders would say they are different than Paris or Donald. They may be but in what aesthetic sense? Their goal was financial success; theirs.

Were We Were

At the beginning, that wasn’t  the story told around our campfire. Everyone got warm or no one did. Those who wanted fame the most, got it – what little good fame has done, it has been for them.

Phil went on to ICP where he became Uncle Phil. Thanks for the camera Phil.

 

 

a Block.

Ciba Died?

Often old processes die leaving only a few practitioners remaining like soldiers on an abandoned, forgotten island.

amateurs built Ciba; amateurs killed Ciba. 

Ilford Imaging Switzerland’s bankruptcy was in December 2013.

The gossip boys ,on the barstools of the internet ,hang out telling tales of the past. Easy for them to miss the changes in currents around that lost island, since they never were there, and they don’t know how to swim.

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Big Name Ciba

would you rather ask a thousand people who don’t know the answer, or 1 person who does?

Asking the rights question of the right person is the only way to a correct answer.

Burkett is a big name in Ciba prints. He is a long time landscape photographer, so should be ready reference for the Formulaic photographers. He is represented in many of the destination galleries. Even a lesser known photographer knows the Ciba answer. And he is a popup exhibitor.

A Last Lab

I doubt they print anymore, but at one time Richard Jackson’s “Hance Lab” was a major ciba lab for exhibition and portfolio work.  Richard has moved on, preferring digital prints. So, just as the best Dye Transfer printers moved to digital, at first with regret, later with a smile, even a joyous twinkle.

The (Usual) Places

B&H … they have partial supply (June 2016)

Dr. Damien Moigno DFI

What’s A Poor Boy To Do?

It will die, Ciba — this year (2016) will be the last year of chemical manufacture. The interest in this, like most color processes, is vapor. Dye transfer has come and gone 3 times in the past 15 years because people talk instead of working. They would rather brag, and boast about their exploits. What they really do is get fat on the barstool, talking about their glorious  gift.

A kit for home processing costs p30kit

The last Ilford directions (PDFs) are:

As always —

  • use it or lose it.
  • when it’s gone, rebuild, or move on.
  • don’t trust the first answer.
  • don’t accept conventional wisdom, unless you want the conventional outcome
  • sometimes, things are talked to death.

dig until you get deep enough to see light

Others writing Ciba’s epitaph: https://association-cibachrome.com/patrimoine/technologie/