dpdone. Amzn moves on

so, when the sales desk closes, what do you lose? Or, when your only friend is an invisible salesman from the camera counter. \Scott Everett announces that dpreview.com to close; layoffs. Hardly lost information.

Amzn, like fuji, has learned that blood is green; healthcare is the field to harvest. Reviews have ended. Click-stops are no longer clickbait. The ad aggregation is less valuable. Isn’t that to be expected? After all, how many times do you need to express your opinion of a camera strap.

What is lost? Da net seems concerned. Maybe just another loss of their common meaning. Limited purpose is limited value.

details of the how. so the big questions were such things as “best focal lenght”

something along the lines of hem length.. does this make her butt look big enough’

Gear Sheds close. The need for opinion has diffused. We know you’re a link spot, not feeding but selling. Not feeding us, but eating off us. The information lost is gossip from a sales counter. Information lost that wasn’t worth keeping … who mourns that? Perhaps those who wish they’d have written it .. they miss the opportunity.. they miss another chance to jabber about the end of photography; their view of it.

The Weekend is over. The gossip rag wasn’t worth re-reading anyway. the checkout counter telling you what to check out. Maybe of use for the naive, but was it worth keeping. That isn’t a history. They are old bingo cards as in the days of specialty magazines and trade-show door stops. The end of DPReview signals little. It doesn’t mean the end of a field, just the changes in the field. No more need for a brag piece that puffs the same corn about what matters. A consumer report that is hardly consuming, let alone informing, or interesting.

TOP defends. MJ claims mature artist status.

Mature means influence. Adding to, or making clear via your work. at some point in aging, you may mature, becoming more sophisticated in making art. in short you may give yourself permission to use tools to your advantage. never trap yourself in the goddamn basement.

Just one question. Missed. And done. Not a very deep thinker, even back then. Most salesmen are expected for stories, not for ideas. So, a wordsmith becomes a craft-shill. On top of the hill of dropouts.

For the weekend worriers — did they buy the right thing. It has rankled those in that business. Those people who have spent their life, month to month thinking they were adding to the grand scheme; in the end, at their end, realizing that what they dis was add to land-fill filling time, other peoples time.

They wrot without becoming writes. They wrote about photography without becoming photogaphers.

Ming Smith: Filmday

Ming Smith….

Smith was the first Black female photographer acquired by the Museum of Modern Art and the first female member of the influential Black photography collective, Kamoinge. She was one of the first African American women to break the color barrier in modeling alongside Grace Jones and Toukie Smith. Gordon Parks wrote of Smith, stating her “wonderous imagery… gives eternal life to things that might well have been forgotten.” Her works respond to the struggles of city living, while also celebrating the community and pride produced by it. Taking her camera with her as she travelled the world, these images are a chronicle of her discerning eye.”

Ming Smith — getting something…

Make do.. Make more with what you have. The doing is the art part.

And

The things we use are not requirements for where we get.

First questions are common among those who achieve influence and those who remain on side steps. The tournament doesn’t reward new shoes as much as it does new views … the runner who gets further is able to stay longer.

More..

“As an artist, recognition for her work only came recently thanks to several high-profile exhibitions. Not limited to photography she also uses post production techniques, collage and paint to create her works. Smith was recently included in ‘Soul of a Nation’ at Tate Modern in collaboration with Brooklyn Museum, Crystal Bridges and The Broad. She was also featured in Brooklyn Museum’s ‘We Wanted A Revolution: Black Radical Women, 1965-85.’ Smith’s work is in the collections of MoMA, the Whitney Museum of Art, Philadelphia Museum of Art, Detroit Institute of Arts, Virginia Museum of Fine Art, the Schomburg Center for Research in Black Culture, and the National Museum of African-American History and Culture. She was included in MoMA’s 2010 seminal exhibition, ‘Pictures by Women: A History of Modern Photography’.” https://mingsmithstudio.com/about

it is better to be craft poor and picture rich

RL/webionaire