Childhood’s End: Can APUG Growup

RIP APUG.The photography forum, APUG, analog photography users group has died. It has returned under a new banner, one with three doorways. The effort to keep 3 separate but equal groups resulted in little google traffic, and low participation. The past decade has not been good for isolation gatherings.

Segregation, separate but equal, hasn’t been a viable mode of culture building in over fifty years; it emphasizes the wrong things. In the case of photography, thinking and functions are reduced to size of film, type of camera, basic technical operations. Which engineer do you call your daddy.

My answer to my Q: No. The suggestion I’d offer to the owner is close it, or sell it, and get back on track with some level of better future for yourself. You’ve already given the best production years of your life to an economic, and cultural failure. Your return has been a sparse life-style business.

The Problem: As they see it.

Analog, classic, traditional — hard to even find a name since even alternative must be hyphenated into their world. They missed out on the “multi” world; it ended before they turned to the web.

Anyway, it is easy to see what they don’t want: digital – stuff with computers, software. They don’t want the work to be simple, something many others are doing. They fear coming in late, and last, again.

The solution the site owner has implemented is name + brand change.

The Problem: Really

The new brand, PHOTRIO, is really just a unified login among the portals, complicated by selection flags for type of post.

But, the posts are from most of the same group of people with the same shortcomings: lack of growth of imagination; low perceptual skill.

In the first posts, after the reopening, the old guard produced the same denunciations of “photography not done by us,” and the assurance that whatever this new site achieved, we will have our same old way of doing print sharing. Although, we would be nice enough to act as experts if “they” want to know how to do it our way. Talk about separate, yet equal.

What was needed wasn’t a name change, it was a user change. Growing up isn’t a matter of makeup, it is what you make up; what you can make.

The Problem: From a greater distance.

Topic limits put limits on growth. Staying idle, or on the sidelines of a fast changing field lowers your survival skills and opportunities. Others have already taken over the new fields, planted them and enjoy the fruits.

Fading Solutions

The remains of analog have formed into 2 small online pools: Large Format Photography Forum, and APUG. Each in their way claiming to hold high the banner of fading glory. A better time and way. Each asserting that their horseshoe will return, lucky and useful as before. Each praising their failures as signs of dedication to art. Each on their last stand. Tide pools left by the waves of innovation

They have given up esthetic growth by clinging too tightly to technique. It has become their plank in a storm. But no one cares except them. And they don’t really care about esthetic growth which is an even more demanding path

Limitations Of Growth

There are few reasons for membership to grow among those who can grow on their own. This leaves the membership to those who have small ability for self growth. APUG/Photrio is a holdover of people who went into other fields because they were not dedicated or capable of surviving on the pathway of photography.

They are filled with late bloomers and false bloomers; success has passed these folks by. They have each other to confirm their social comparisons among. Their achievement is confirmed by similarly low achievers.

Cognitive integration occurs as people develop shared communications which influence, even alter interpretations of reality.

The high posters engage, gain benefit from affective integration in an opportunity to control others. They need complementary seekers, but those have already formed in other pools.

Stages of development of volunteer groups follows from the three key psychological needs: (1) inclusion; (2) control, and (3) camaraderie.

This progression, to be included after the group has achieved stage 3, means you have to disturb (break) the control satisfied members. This can’t be done by a struggling business without significant risk and likely failure

Silver Circle Adaptation

This extends even to some grandparents in the silver-circle: Michael and Paula, ie, MAS (Michael A. Smith) and Paula Chamlee. This duo has been on the workshop path since the 60s. They live off the aspirations of weekenders. And they seem to have done well. Well enough to fund the production of an Azo replacement: lodima.

Even with the apparent success: their own publishing firm, paper distributed, workshop and photo tours, they’ve had to increase their water-wings to stay afloat. For the past several years they have included scanning and printing services to their sales list.

Purity doesn’t survive in the whorehouse, not even in the silver-circle

 

 

Easy Amidol

Amidol is the developer of kings, or so it would seem reading the stained pages of olden lore. It was the developer used by Edward Weston. It is the chemical that stains the fingernails of its users, like nicotine stains the fingers of that machinist you watched grind your flat head 8. [ stained finger  http://wp.me/p6UdTM-4n ]

Amidol is also toxic. Use gloves when working with it. Use dust mask when mixing it.

Again: Amidol is toxic and expensive —  in working solution the life is only hours…it stains quickly. Stains need hydrochloric acid for cleanup.

Advice: this isn’t for the casual worker. unless you’ve a reason for amidol developer, stick to dektol, or if you need exotics to brag about on the barstool, use ansco 130..

Why – your reward is a print that has neutral silvery blacks. You can also lower contrast of fixed grade papers radically. You can achieve more than 2 grades of paper change with chloride papers. [ chloride papers http://wp.me/p6UdTM-1MR

My preferred contact paper is Adox “Lupex.” I use the spoon formula from the attached sheet of formulas.

For those interested, Lupex, Azo, and Lodima are all virtually identical.– ron, [PE] 2016

Buy the kit — Photographers Formulary sells 3 different kits measured and ready for mixing. (price as of: August 2017)

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  • Weston’s Amidol / $24.95
  • Formulary Amidol paper developer / $24.95 NB: see Ansco 113 above
  • Lodima Formula / $16.95

Each of the above is for 1 liter. To mix you will need a 1 liter brown bottle (glass). Additionally, you need a 10 ml and a 100 ml graduate (cylinder).

Mixing

Mix the stock solution without the amidol. This stock stores well. The lodima version stores several months without the amidol.

Just prior to use, add the amidol. It will go into the stock solution at room temperature. Formulary kits contain pre-measure packets of each of the ingredients, even the amidol. Each of the kits has different packets. The single liter kit has 2 packets, each to be mixed into a portion of the stock solution.

Using

Development time can range from 1 to 10 minutes in dilutions from full working to 1:10 dilutions. Lodima developer with lodima paper is noticeably warm when exposed enough to develop completely in 1 minute. Formulary Amidol (ansco 113 above) develops fully in 3 minutes.

Controls

Potassium bromide can decrease paper speed and increase contrast. To find the point of sufficient restrainer begin with 5ml of 10% solution per liter of tray(working) solution. Using a 5 min dev time, if no fog is visible, use that value. Increase the restrainer amount in these small increments until no sign of fog at 5 min dev time for an unexposed swatch of paper.

Soft contrast results will be achieved with higher dilutions of stock to water.

My own process finds me frequently having 2 trays mixed to different dilutions.

If your development time is longer than 4 minutes, begin development without safelights. After about 2 1/2 minutes in the developer, turn on the safelight. The lodima paper has a higher chance of fog than does the Lupex. I work under red lights only.

Reference Formulas (above table)

  • Weston’s Amidol
  • Peckham Amidol
  • Lootens
  • Fein’s Amidol
  • Agfa/Ansco 113
  • Michael A. Smith’s Amidol
  • Dassonville D-2
  • Defender 61-D
  • Kodak D-51
  • Ilford ID-22
  • Amidol Teaspoon Formula