Buying Dye Transfers

The big sale is over. It was last fall: M. Johnson and Ctein held another going out of business sale. The inventory just keeps taking up space. After 5 years, it hasn’t gone down enough. And we need to flog something, so… Like Mad Man Muntz ( an original TV discount sales store) we go out of business until we pay off the electric bill.

Why does this matter to me? The same reason weeds in the garden do: what you feed grows; if it takes over the garden, there is no garden.

Why Buy Prints?

I buy art because it satisfies my expectations. It does this by challenging me; brings me to another set of expectations. The more the work feeds my work, the more likely I will buy. I do collect. I don’t invest.

should you buy because it is a dye transfer?

I ask myself: is it immediately useful, instructive, completing : will it continue to enrich me; provide more questions, motivations for my work.

Am I buying out of fear of missing out? If yes, then I’d skip it.

The Pitch

The pitch is the alert. The premise of the sale: act now, act fast, this is a limited offering, this is rare, this is worth much more than you will pay.

How many times do you go out of business .. for as many times as there are buyers at the gate.

  • the online adographer.
  • the ad before the ad.
  • a memo to announce the forthcoming memo
  • colonel blimp reporting
  • ctein being, blimpishly ctein..

Prestige of Process –

Self promoter who has become the big name by writing about. You are collecting a one time sale. There is no after life for this work.

The Ctein shelf: these are souvenirs. Souvenirs of someone else’s vacation trips.

Buying An Example

A mature artist has an after market. ctein doesn’t. His sales are to aficionados, so are of value only among themselves. They are scraps, examples. He isn’t placed in the conversation in any way other than that of the tech writer— a long way from meaning, but very close to standard commerce.

You Could Have Bought

During the month long sale what else could you have bought around that price ($700)?

How about — Barbara Morgan original print sold for $900; William Eggleston chromogenic sold for $790; Jerry Uelsmann sold for $1085.

These were auction prices with buyers premium.

However, Jim Marshal sold for 781 w/bp. A Steichen for Vanity Fair sold for $535 w/bp.

If you wanted it because it was a dye transfer, you could have bought a dye transfer off eBay for less than $150 — from proctor & gamble, reader’s digest, or similar publication art departments. You will even have a good example of commercial art retouching from decades past. You would have a reference document demonstrating why dye transfers were the mainstay of advertising — easy to retouch.

Two Views

Trying to find words that reveal without condemning. Over the past several years, I have sought a shorthand for describing the commonplace avid photographer. Those who believe photography is an art, but don’t follow art. I’ve not wanted to hit them, even though their chosen position is to disparage much of what I view as constructive in a world.

Most of the <unnamed> use film and have for decades.

Exemplars

Who you know about; who you use as guide of your first efforts — these are the people of your first principles; your foundation. This foundation limits the size as well as the dimensions of growth. How big. How high.

I have known of Jungiin Lee for years, but have only recently heard of Clyde Butcher. These two serve as exemplars of two different paths. I heard of Butcher in online forums as a claimant of the mantle of Ansel Adams, and as working the manner of Hudson River School. Oddly, he misses the key to understanding the color notions, by not using color. Oh well, his real background is in selling clocks and walks.

Make no mistake, he is a success, and has been for decades. And so is Lee. These success are characteristically different. Butcher’s followers are buying art that provides functional memory of a place. Lee provides conversation with a history of art which includes photography. Her followers must understand relationships of place and object.

Their distinctions aren’t desert and swamp; they are ways of working with a place. In both people, we see continued working of their subject.

The Gallery world has accepted Jungiin Lee. Clyde Butcher has made his own gallery. In fact, he made his own destination bed and breakfast, which provides tours.

To my world, Clyde Butcher shouldn’t even be mentioned as contributor to the world of art. He is a journeyman that illustrates one journey of the weekend artist. He makes the simple seem hard, which makes it seem like art to those stuck on their first grade drawing assignment

who’s your daddy?