Perfect Alibis

Who do you envy? I can’t show you my work on the web because it is so fantastic ; simultaneously Making judgment of photographs I’ve only seen on the web. cake eat 2

Do they show or do they tell. Their perfect alibis for doing so much talking without any pictures is because only the print matters. That is the answer you are to see. See? Only see? It is so present, so magical, you must stand in awe before it. find a gallery to buy from; hunt but you will not find. The alibi set is so exclusive they have no gallery representation. The gallery wasn’t good enough.

finding gods to follow: repeating their phrases, singing seeking their praises.

Do you begin with answerable questions; do you permit answers other than yours. If you gave up by the 70s, do you have anything useful to say in your seventies?

you can buy the print, but only in person.

I have no prints for sale. (catch 22)

Like the old: we could have ham and eggs if we had ham and we had eggs.

he has to defend his commitment. maybe explain his stumble — potential in youth isn’t enough. knowing the weston’s isn’t enough. knowing isn’t enough.

Of course alternatives are okay, if they are “well printed” — and, anything other than silver-gelatin can’t be well printed. Unless it was sanctified in some way — like from my book publisher.

[am in drafting-mode of a Stieglitz post ]

helpful hindrance

answering a question they don’t have experience in
cause they need to be heard


parked car ... don’t need more information, they need more courage-- the power to try again. 

they always tell you what to wear to the dance .. they think you like the same music

always telling you what to wear, no matter how you dance

assume they know how to dance and aren’t merely jumping around showing off — remembering someone else’s memory

mark of an amateur : they cant tell good advice from bad, they are too filled with fear. biggest fear is of making a mistake. art is about moving without enough knowledge  -- that's what you are making


----
making a list 
key concept(s)
-- assembly process
pigment in colloid
wash-off processing
exposure hardens colloid to retain pigment
-- more exposure = more density, depth of layer

how to make your list
work from both ends
-- have a goal
-- know where you're starting
have distinct pages for each step so drill down isn't blocking your guide list.
don't get yourself lost with stacks of pages, references.
take each into notebook. stickies help