Category: Theory

reading The Wrong Paper

Posted on Posted in A Symbol Life, overnight notes, The Other, The Why, Theory

as we learn one thing we forgo another. As we look for something, we don’t see the other. Various ways of saying to walk lightly, look softly, be open — said often. However, the nature of knowing means acquiring greater focus, digging deeper into something. Perhaps genius is found by the loose grip; others must hold on tightly.

Paper was always my way of acquiring the other facts of life. Words and pictures intermixed. There have been many newspaper/journals in my circling around my purposes. In the wayback 60s, artist tabloids, and newspapers were printed on newsprint in effort to be distributed widely, cheaply. It was all transient.

as a photographer, I learned to interpret the difference between that printed page and the printed photo. Even gaining skill to provide prints to be reprinted by the cheap web print. These days interpretation between screen space and my spaces — darkroom and printroom — is made easier. It is called do-check learning.

the paper print as prompt

Threepenny uses many photographs in their paper. It isn’t a photography publication, but the editors understand and give much care to providing space for photography. I am happy that it links me to former students.

The pictures must be interpreted by an understanding that comes from open, informed eyes. These type of publications provide the backup for vision. They serve to exercise the deeper eye. That bundle behind.

Weightless Opinion

Posted on Posted in art biz, da net, Theory

Your opinion hits the internet without a sound. It doesn’t last. It has no weight. No mass. Yet, it doesn’t go away; not that fast.

I have recurring questions, of my own, and those of the common ground; those questions raised so often, by so many, they seem to have no author. Today, it is this one: who is the judge of your photography; how does it get seen; by whom?

This post was prompted by one person, Bob Carnie, and his online statement doubting the value of jpeg submissions for a print show. Does he believe this; does he live by this; or are his statements based upon FOMO and a rather small career as a working artist. He, aside from age, would be termed early stage artist. Instead of engaging in art making, he is a craft stumbler. By this I mean, he learns from the online weekend throngs. The people of the forum are his audience as well as his teachers. It is that group that he expresses to impress. What they share is gear talk; they’re all stuck in first gear.

They may appear to be action oriented, but most of their daily toil is chatting online. Sometimes, taking months to gather opinions that could be tested in their studio in hours. This is the ultimate FOMO (fear of missing out). What would Wilbur say?

Forums are the ultimate FOMO Socials

Two options, one judge:

were original prints submitted for viewing or jpegs of the prints… I am not comfortable to have work submitted to any online call for entry or competition where real prints are not being evaluated. with PS and lightroom a potato can become a diamond.

Bob Carnie, (about this show: https://www.photo-historica.com/finalselections

On the other hand, he is the judge for Xpose – CAPIC show in which you are told: Please submit all images to xpose@capic.org with the subject line “Xposé 2019”. In the body of the email please include: Your name, phone number, website, and title of photograph(s). Your image(s) should be 1200 pixels @72 dpi on the longest size, in JPEG format, and sRGB colour space https://capic.org/events/xpose/

By claiming that prints must be seen, they assert a privilege of object, a material object; something easily owned. Something for the wall. Additionally, they suggest that you have to make em to understand em. (no one understands poetry; no one makes it). In the case of the gum-over guy, this means 4 years on the internet, asking his fellow underachievers how, how-much it takes to do gums.

Opinion Over Judgement

Do as I say. Do I say what I believe? Are his statements consistent? Certainly, in one sense. He has a belief that jpegs shouldn’t be judged, but he will join in an event because it provides him other benefits. If he didn’t believe it, why would he support it? Maybe someone put a wallet to his head.

Ongoing Questions

  • why didn’t they get further. is their expectation blocking their experience. does the object stop understanding by reducing experience to that which can only be seen in person.
  • this isn’t that interesting, it doesn’t compare, compete in this on-screen world, but if you could see it, that thing I crafted so well, you would know I’m a good artist, one better than it seems from this distance.
  • we are better than the world of books and museums.
  • what is the photograph. who, how can it be judged? Who manages the bridge; maybe a troll.

A reminder of the founding question, our first stumble is over what makes something worthwhile. Is art supposed to be an object; something difficult to make?