“Beat, Old Heart” by Carl Sandburg (January 6, 1878) “On Love” by Kahlil Gibran (January 6, 1883) “Gospel” by Philip Levine (January 10, 1928) “What’s Broken” by Dorianne Laux (January 10, 1952) “Once in the 40’s” by William Stafford (January 17, 1914) “To the Country” by Rubén Darío (January 18, 1867) “Alone” by Edgar Allan Poe (January 19, 1809)
Clement Greenberg reviewed Steichen’s “A Life in Photography.” [1964] and wasn’t impressed… only one photography was worthwhile: the 1921 Dancer’s Hands.
“one wonders at what must have been the lack of a capacity for self-criticism that let Steichen abandon the straightforwardness of these (early) works..”
Clement Greenberg reviewed Steichen’s “A Life in Photography.” [1964] and wasn’t impressed… only one photography was worthwhile: the 1921 Dancer’s Hands. Saying: “..nicely composed … would be artistically inert were it not for what the woman’s arms evoke of attractive femaleness…”
“Photography’s advantage over painting… the enormously greater ease and speed with which it achieves realism. This speed and ease have radically expanded the literary possibilities of pictorial art.”
The windblown “Wind Fire” image is of a student. It strikes me as being one flavor of the terpsichorean image of John Wimberley (a key person in the revival of pyro negatives)
Alfred Stieglitz January 1, 1864 Wilson Hegoda January 8, 1915 Garry Winogrand January 14, 1928 Cecil Beaton January 14, 1904 Andreas Gursky January 15, 1955 Cindy Sherman January 19, 1954 Joyce Neimanas January 22, 1944
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