Category: webionaire

the old webionaire posts. also, new ones that would have been home there

In Frank’s West

Posted on Posted in minimum daily requirement, On The Road, The In between, Theory, visual mindTagged , , , , ,

Cover to uncover… picture making method. Meaning within the frame. Understanding what comes from beyond the frame.

US 91, Leaving Blackfoot Idaho shows two young men picked up by the photographer. Though the men seem intently focussed on the road, the car windows are blank. A text by the English philosopher and statesman Francis Bacon is in the visor; this Frank had copied down when he visited Dorothea Lange before he set off on his journey to find the heart of America.

one aspect of “reading” for understanding is in your covering items contained within the frame… What is lost

in this instance, it is very difficult to understand the text — it cannot be read .. it is mere squiggle. What would it be?

We have to leave the frame for the content..

That text reads: ‘The contemplation of things as they are/without error or confusion/without substitution or imposture/is in itself a nobler thing/than a whole harvest of invention.’

https://www.artic.edu/artworks/87174/u-s-91-leaving-blackfoot-idaho

For the second half of Dorothea Lange’s life, that quotation from the English philosopher Francis Bacon occupied space within her day. She pinned a printout of those words on her darkroom door in 1933. It remained there until she died, at 70, in 1965 — three months before her first retrospective opened at the Museum of Modern Art in New York .

Referenced in publications

proof sheet: https://www.nga.gov/collection/art-object-page.78965.html

2 possible frames … chose the one without the space between the figures.

same configuration choice in next row of grouped figures.. make the group of one blob.. cluster into single tone pack

Robert Frank’s book, The Americans, is divided into 4 sections. Flags mark the divisions of the book.

  • Flag blowing.. Parade, 1955.. two people “looking” out of windows (First Chapter)
  • Flag hanging over stripe shirt, and… Fourth of July, Jay, New York.
  • Flag as shade… Backyard, Venice West, California.. just two pages after Bar, Detroit.
  • Tuba player… 1956, Political Rally, Chicago (Fourth Chapter)

Robert Frank (b. 1924) traveled across the United States to photograph, as he wrote, “the kind of civilization born here and spreading elsewhere.” During his nine-month journey, he took 767 rolls of film (more than 27,000 images) and made more than 1,000 work prints. He then spent a year editing, selecting, and sequencing the photographs, linking them thematically, conceptually, formally, emotionally, and linguistically. https://www.sfmoma.org/press/release/sfmoma-presents-looking-in-robert-franks-the-amer/

east lyme: pilgrim age

Posted on Posted in art school, book shelf, minimum daily requirement, on photographersTagged , , ,

You know the names of the people, even if you don’t recognize the name of the place. Fellow photographers prompt us. Place probably prompts geographers and letter carriers.
Influence felt and spread. Will you explore for inspiration? What does seeing what they saw provide? I have no answer to either of the questions. I don’t travel to visit places of others. I have never been a pilgrim.

Walker Evans, east lyme… the note idled over a month… for no reason. Okay, one. I considered buying the book. I still haven’t bought it.

Walker Evans lived in this house in East Lyme, Connecticut, from 1967 until shortly before his death in 1975. The house was designed by Evans and his friend Robert Busser, a Yale architecture student. Letters and postcards were often addressed to Old Lyme or Lyme because their Mail truck turned around at Stewart’s Corner, East Lyme.]

Reviewing others’ work provokes a review of mine. Same thing sometimes happens as I edit or revise current work. Few interesting matters ever reach finality.

as test to yourself: Why hold interest in another past place. We don’t see Evans’ time, footprints. A deed with his namespace; perhaps a deposit check could hold as much history– commerce, reverential. Or, is the structure a demonstration of built world a key to His namesake. A keepsake worth travel of two current actors on the artworld.

[Two photographers, James Welling and Mark Ruwedel, just two years apart visited Evans’ home in 2016 and 2018, respectively. This volume places the projects undertaken by both in dialogue, highlighting their similarities and differences.]

[Shooting passersby against a plywood backdrop as they crossed his field of vision from distant right to close left (some noticing him, most not), with the light striking and modeling their features, Evans found that what he was creating with these images was “the physiognomy of a nation.” This book compiles the photographs, contact sheets, small-version printlets, Evans’ annotations to newspaper clippings, drafts for an unpublished text, telegrams and every available print Evans made, along with the Fortune spread as published. Labor Anonymous captures a long-vanished moment in American history, and a crucial project in Evans’ oeuvre.} — here

Welling: (b. 1951)

Ruwedel: (b. Bethlehem, PA 1954)