drilling for silver

bits of things. if you have to moderate the topic, you have the wrong gathering — 

VCP, bring out the prints. generous support of Mark Tarmy. Joshua Farr and Mitch Weiss  curators

What they announce:

Drawn from a remarkable local collection, these prints invite you to get close—see the paper, the grain, the edge of the negative—and slow down with images that carry time and story across generations. It’s a chance to experience iconic photographs as objects, not just pictures on a screen: how they’re printed, toned, and cared for, and why those choices matter to what we see and feel.

The exhibition brings together 36 works by 31 artists, spanning nearly a century of photographic history, with dates ranging from 1916 to 2004. The selection highlights both silver gelatin and platinum prints, offering a rich material and historical range that underscores the enduring power and evolution of the photographic print

UP TO DATE:

They will discuss specific images in the show and their significance from the perspectives of technique, meaning, and place in history. This conversation opens a window into the relationships between artists and collectors, and why photographic prints continue to matter in a screen-saturated world.

IN CONVERSATION: Mark Tarmy & Lynne Weinstein | VCP

the collector’s start:

Like most American business stories, Vermont Plank Flooring was born of a degree of foresight, a little bit of luck, and a lot of hard work.]

Our Story – The History of Vermont Wide Plank Flooring

Instead of collecting stories of drillbits , rather than collecting boxes of future used\ items, he collected photographs .

the why of this aside: Drillbits from one Plant in China are produced at 20 Tons a day.. packaged and over 100 brand going to the United States Germany even Austria… with Austria importing specialists steal from China for their use in machine tool making..

caution of the long tail: people thinking their experience is more useful than it is; that they bring more knowledge than they do . they have a view of a business — they think that that view, and experience applies across all business… ADDITIONAL. the china syndrome:

the problem is some forums are populated by a very few highly skilled honest members … how can you tell; they give references. they show their work. you are welcome to the table ;their ideas grow. they have new stories…

prejudice is often a mask itself.. revealing itself. prejudice is a mask that sometimes shows;it has dominance…you married an asian to dominate one. prejudice is often inscrutable… I can’t be prejudiced I married one; yet you’re married to dominate; reminder, prejudice is about domination…

see YouTube bit test … left as an exercise.


drill bits.. footnote. https://www.ncl.ac.uk/press/articles/latest/2026/02/ancientegyptiandrillbit/ This re-analysis suggests that Egyptian craftspeople mastered reliable rotary drilling more than two millennia before some of the best-preserved drill sets.

imagine having a collection of prints instead of bits n bobs

Continue reading “drilling for silver”

bookmark: Paloma

items noted– an artist speaking about impulse. And, to those who are not a participant in current communities conversation, they don’t recognize her Art references. Her practice references, note how smoothly she uses them; how thoroughly she has absorbed that dictionary.

Paloma Dooley.  (b. 1993, New York, NY) lives and works in Los Angeles. a BA in photography from Bard College. In 2016, she completed a monthlong residency at the Vermont Studio Center. recently completed a four-month residency at Quinn Emanuel Artists in Residence. She is a recipient of a 2024 Puffin Foundation Artist Grant. About is brief, unlike her image making method.

“I was born and raised in New York. I spent an influential and magical year of my youth in Roswell, NM, which instilled in me a love of the landscape and being on the road. As a teen, I turned to photography as an outlet for longing, searching, and wonder after losing my dad, who was an artist. I photographed his studio and I photographed in the landscape as a way to work through grief. I attended Bard College and earned a B.A. in Photography in 2015; my thesis project was awarded the Stuart Strizler Levine Award. In 2016 I completed a monthlong residency at the Vermont Studio Center, where I gave an artist’s talk and slide lecture. My work was included in “Too Good to be Photographed,” ed. Paul Paper, a publication that investigates the strengths and failures of photography as a medium, in 2017. In 2018, I was commissioned to create a new body of work, “What it Feels Like to be a Beautiful Rectangle,” for “Augenblick Mal,” a Swiss publication. My recent project Ground Control and accompanying text was published in Carla Issue 21 in August 2020. I am also included in “Primal Sight,” 2021, a groundbreaking look at contemporary black and white photography edited by curator Efrem Zelony-Mindell. When I’m not focusing on my own photographic projects, I am working on the small artist-run exhibition space, Hermitage, that I co-founded in 2020.” – Paloma Dooley

PD: In 2020 my garden became my only creative outlet, and a source of peace and strength amidst the crushing uncertainty of the pandemic. I had lost my job in the art world and felt totally disconnected from photography. Working – and making my own work – was how I had always found my way through the world. Photography was my guide and a mode of exploration, but it didn’t feel available to me at the beginning of the pandemic. Feeling a dearth of change and growth in my own life, I set my camera aside and focused instead on the quick lives of my plants. Growth, abundance, decline, death – caring for my plants was a way to care for myself.

MORE:


looking back: 2016…

With images and texts by Michele Abeles, Takaaki Akaishi, Lotta Antonsson, Walead Beshty, Lucas Blalock,Andrey Bogush, Brian Bress, Bianca Brunner, Stefan Burger, Antoine Catala, Phil Chang, Talia Chetrit, Joshua Citarella, Sara Cwynar, Bryan Dooley, Jessica Eaton, Shannon Ebner, Marten Elder, Jason Evans,Sam Falls, Brendan Fowler, Victoria Fu,Daniel Gordon, Darren Harvey-Regan, Leslie Hewitt, Nancy de Holl, John Houck, Go Itami, Rachel de Joode, Farrah Karapetian, Matt Keegan, Annette Kelm, Soo Kim, Yuki Kimura, Josh Kline, Lucas Knipscher,Owen Kydd, Josh Kolbo, Taisuke Koyama,Nico Krebs and Taiyo Onorato, EladLassry, Brandon Lattu, John Lehr, Anthony Lepore, Alexandra Leykauf, Matt Lipps, Florian Maier-Aichen, Phillip Maisel, Annie MacDonell, Emmeline de Mooij, Carter Mull, Nerhol – (Ryuta Iida and YoshihisaTanaka), Katja Novitskova, Arthur Ou, Matthew Porter, Timur Si-Qin, Eileen Quinlan, Jon Rafman, Sean Raspet, Clunie Reid, Abigail Reynolds, Will Rogan, Asha Schechter, Hugh Scott-Douglas, Shirana Shahbazi, Daniel Shea, Erin Shirreff, Elisa Sighicelli, Brea Souders, Kate Steciw, BatiaSuter, Yosuke Takeda, Miguel Ángel Tornero,Sara VanDerBeek, Artie Vierkant, Anne deVries, Hannah Whitaker, Charlie White, Lindsey White, Chris Wiley, Letha Wilson, and Amir Zaki. – See more at: http://aperture.org/shop/photography-is-magic-3229/#sthash.ydUkCFM5.dpuf

adding the anti-pose of https://americansuburbx.com/2015/10/photography-is-not-magic-photographic-images-and-their-digital-spirit.html