check batt day

One must from time to time attempt things that are beyond one’s capacity.”-Pierre-Auguste Renoir 

the first of the month; time to check electronics in the studio and the lab.

in or out? when you put the camera, meter, whatsit away, what is your cleanup and storage protocol? Perhaps you haven’t considered the question. When you’re done, do you leave stuff in the bag or on a shelf.

In my commercial world, the process of ending one thing was prep for the next.

In the age of the professional studio every assignment had a set up and a teardown time. cameras along with all equipment were cleaned at shoots end; repairs needed were noted.. before a shoot the equipment was checked; this included batteries for those portable electric items. items which were stored a long time while being assumed always at the ready were checked monthly; batteries being swapped out, freshly charged ones being put into service. For Equipment cage operations someone in charge of the cage followed the procedure with every equipment check-in and check-out. Schools of journalism instilled the discipline in their students which likely spread throughout that industry.

I keep batteries out of infrequently used darkroom equipment, but do keep batteries in the actively used cameras. Lightmeters are not stored more than a week with batteries enclosed. When the meter is being stored, it is stored with its battery put into a bag-box with a tag marked with dates. If the meter is going out pn location it is tested with vtvm. Field kits always include tested spares.

Equipment Poor:

It is also a time to prune, to dead-head equipment. If it isn’t being used, since I’m not a collector, and it is a dust collector, I consider passing it along. 

Emergency in the gun-belt states. Most of the US experiences competitive power failures. So the Free Markup has devised the house-batt. I keep batteries in flashlights; along side these are 8-hour candles. And so it goes.

There remains the ground of difference between being awake and being aware

bookmark: sofia borges

all the standard spaces reviewed the work… that is expected for a Mack publication.

from mack: https://www.mackbooks.us/products/the-swamp-br-sofia-borges?

>> In 2016 Borges wan the British First Book Award with her full authorial (works, poems, text and graphic design) and first book: THE SWAMP

The award announcement and official launching by Mack happened at PhotoLondon 2016, together with a solo show of the artist. With an edition of 1.000, the book got officially sold out a few months after.

AND >> Lives and works in New York City, USA.
Born 1984 in Ribeirão Preto, Brazil.

Sofia Borges is a conceptual artist who uses photography, assemblage and performance to delve into philosophical questions surrounding the artifacts of culture, in special the museological object, and their relation to matter, to the transmutation of the meaning of that matter throughout time, and to being, consequently, intricate and liquid manifestations of culture [ she wrote; i quote ]

NOTED: https://sofiaborges.carbonmade.com/projects/5908812

her words..

in Ansel we Trust

Between moon rise and sunset .. staking legal claim to a record of light .. an example of the absurd capitalism . What my horse thieving grandparent would have called a sin against God theft of what God created by claiming it as yours; made by you

you can only steal what man makes; you cannot steal what God made ..



fodder, FOOTER: 

 —  https://ccp.arizona.edu/copyright/copyright-permissions/

Please email your Ansel Adams licensing request to the AAPRT at ansel@adamstrust.com.

https://www.loeb.com/en/insights/publications/2010/12/the-ansel-adams-publishing-rights-trust-v-prs-me__

https://publicrecords.copyright.gov/name-directory/Ansel%20Adams%20Publishing%20Rights%20Trust/associated-records

1985 + 28 = 2013. \\ 2003+ 28 =

no 990s for the ‘trust’ 

https://www.irs.gov/charities-non-profits/search-for-tax-exempt-organizations

along the road, this story: https://wurlitzerfoundation.org/assets/pdf/discovered_gems_catalogue.pdf