art stuff – webionaire

New money was once no money . Although even most of the money that succeeded hadaccess to older money … parents were a reliable gap fund.

Shortlist … names in the photoworld. notebook of the fog.

Brendan Embser, senior editor, Aperture
Florian Koenigsberger, image equity lead, Google
Paul Moakley, executive producer, The New Yorker
Anna Planas, artistic director, Paris Photo
Keisha Scarville, artist

when I sat in the back row for C-ITOH .. I wondered why they asked me ,although they always did ,what Art should They buy .— never said Mine.. not much of a capitalist.

from under the table:

concept of notice: [Most of the change, they proposed, stemmed not from natural selection but from gene flow (when populations interbreed as a consequence of migration) and genetic drift (when a genetic variant becomes more or less prevalent through random chance).] nov scientific american.

My first visit to Marfa was early days of my Texas time. Living somewhere is better than visiting. Sometimes, some places, maybe not. One place means you can walk many times, using the same tripod holes. Wear them out, they are yours. Changing places starts with a blank paper. Most people revert; they go blank when they see a new place. Too frequently, they find the place as others have found it. The Card Shop Calendar.

— After my set: Wo Ist Tejas. Finding that all places share three versions of the world. In near space the differences blur until in intimate space they separate. The ring of awareness

I like grouping, at first, by pairs, later by parts; finding sets in dispersed settings. Not because of symmetry, but because of depth; I see very different depths in almost every scene, every part of the world. Seeing one thing, one city as two things, cities is innate. Progression between points is more than direction.