Category: morning wood

Perfect Alibis

Posted on Posted in as written, babl, Carp Fishing, M&Ms, morning wood, Prints, the fora

Who do you envy? I can’t show you my work on the web because it is so fantastic ; simultaneously Making judgment of photographs I’ve only seen on the web. cake eat 2

Do they show or do they tell. Their perfect alibis for doing so much talking without any pictures is because only the print matters. That is the answer you are to see. See? Only see? It is so present, so magical, you must stand in awe before it. find a gallery to buy from; hunt but you will not find. The alibi set is so exclusive they have no gallery representation. The gallery wasn’t good enough.

finding gods to follow: repeating their phrases, singing seeking their praises.

Do you begin with answerable questions; do you permit answers other than yours. If you gave up by the 70s, do you have anything useful to say in your seventies?

you can buy the print, but only in person.

I have no prints for sale. (catch 22)

Like the old: we could have ham and eggs if we had ham and we had eggs.

he has to defend his commitment. maybe explain his stumble — potential in youth isn’t enough. knowing the weston’s isn’t enough. knowing isn’t enough.

Of course alternatives are okay, if they are “well printed” — and, anything other than silver-gelatin can’t be well printed. Unless it was sanctified in some way — like from my book publisher.

[am in drafting-mode of a Stieglitz post ]

A Book to Have Written

Posted on Posted in A Symbol Life, art school, coursenotes, Criticism, morning wood

We have books, on shelves and within.

Everyone who thinks does some writing, some part of writing. Everyone who has taught has written or talked enough to have written. Maybe speech to text could have done the job better.

I don’t teach; didn’t teach for long enough to become a teacher. I do talk to myself or dogs when they are around.

Because I read and pick what to read by following authors, there are a continual stream of books — small, big — deep, less so. An author/curator of currency mentioned a book, so I picked up a copy. And considering the time difference, the different decades of perspective and history, this book seems familiar. An easy going first year book of ideas, with enough annotation to keep the student moving.

It makes me feel as though I could have, or should have written it.

i wrote about process and specific photographs. That was an age that saw great separation between theory and application. I’m glad that gap has been crossed.

Photography; the Key Concepts. David Bate

His key concepts include reference material as well as interpretations. It is an example of a fine text supplement to studio principle course.

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Bare’s book has a beginning middle and end — The other text depicted is a compilation “The Education of a Photographer” Charles Traub.. Classic writings — and available as an eBook.

A small sample of the Bate’s he refactors Fired’s “Why Photography Matters as Art as Never Before into:

GenreArtist
“History” PaintingJeff Wall, Thomas Struth, Andreas Gursky, Thoms Ruff
LandscapeAndreas Gursky, Hiroshi Sugimoto, Thomas Ruff, Bernd & Hilla Becher, Thomas Demand
Luc Delahaye, Stephen Shore, Candida Hofer, Jean-Marc Bustamante
PortraitureThomas Struth, Thomas Ruff, Beat Streuli, Philip-Lorca diCorsa, Cindy Sherman, Rineke Dijkstra,
Luc Delahaye, Hiroshi Sugimoto
Still LifeThomas Demand, Wolfgang Tillmns, Jeff Wall
Academy Painters Photographers