from his site: Robert Polidori is one of the world’s most acclaimed photographers of human habitats and environments. Creating meticulously detailed, large-format color film photographs, Polidori’s images record a visual citation of both past history and the present times within the confines of a single frame. “http://www.robertpolidori.com
from an interview: The rooms we inhabit bear traces of our presence, and those traces, in turn, tell our stories. http://www.thegroundmag.com/an-interview-with-robert-polidori/
Category: olden ways
Dear Visual Studies
what is clear to me
by now it is clear that you aren’t returning my check; it is clear that you didn’t keep your commitment to provide reprints, or return my check.
it is clear that your structure is the same as any other business, run simply, sloppily made rules, carried out by functionaries aware of their vacation, treating research requests as interruptions.
I expect dishonesty, false promises from a profit business; that is the founding basis of opaque blind commerce. That shouldn’t be the basis or philosophy for a non-profit, otherwise, there is no need to make tax or structural distinction among them. If they act the same, they are the same.
now isn’t then;
then when Visual Studies Workshop was a fertile place, bold: attracting the committed, driven by a mission spirit, with a goal of a broadening, rather than a deadening future. a place beyond the market drivers, something other than a tax deduction.
what may not be clear to you
is how much VSW has changed. what you were, and what you’ve become; where you were headed, and how far off course you’ve gotten.
Turning a non-profit into an organization that is as layered, with interactions like a profit business is pretense and false promise. It is also bad mimicry. No small business succeeds with so much pretentious departmentalization over such small amounts of money. They would die of overhead and organizational inertia.
You Can't Learn Dye Transfer
UPdate 2024: The OIC group has set aside some of the final OIC sponsored matrix film for teaching. Since the members aren’t making new mats, members returning to cinema, painting, direct digital work, they won’t have need for new mats. The company that coated ceased wide-long coating in 2018, so there can’t be anymore ortho (or pan*) coated. The firm retain a 5″ research coater, however, the wide short-run pilot coater was scrapped. Computer and software were mothballed as archive matters.
— secret dye school https://webionaire.com/2025/05/03/another-write-off/
from Day One handout. The list of items needed to make dye transfers.
what is so hard about…
Kodak E-80
The one with this cover:
Kodak supplied this for free, or upon request. And it is incomplete, at least insofar as teaching someone how to make a print is concerned. I don’t know why it became such an empty publication, but it did. There isn’t enough information in this publication to guide you to a completed print. It is the often referenced publication, but, I wonder, have any of the people directing you to E-80 used it as their course pack? Or, are they quickly spouting what everyone else posts as answer — “Kodak had a booklet that I used when I….”
Using google will find 2 sites hosting this version of the Kodak publication. Don’t bother with it if you are serious about learning the process as it was practiced at its height. The publication isn’t so much wrong in error, but is by omission. Massive omission. When I was shown a printout of it, I thought there must be pages missing, since it seemed to end abruptly. After further checking, confirming the contents etc.. it was a complete printout- so I read it. Doing. No one, even if they had in date supplies, would meet with success at re-creating the lost procedures that were once the dye transfer process.
the Current State of Dye Transfer
There are no in date supplies for sale. There are, to my knowledge, less than 10 people working with current date materials. Of course, there are several working with out of date supplies. Matrix film made by Kodak, Efke, DTC. Most of these people can be found on the yahoo group hosted by Jim Browning. If you want to browse the group, I’d suggest going to the original posts, collecting what materials will be immediately useful. Stop when you enter the 2005-06 frame. The more recent stuff is of little significance.
Current (2015) Commercial Printers
Dye Transfer International (see link) offers printing. As I understand, they have their emulsion made custom. They also have paper and dyes customized for their current procedures which are based upon exposing to laser. Bettina Haneke is the principal contact at DTI.
That Is It
No other printing services need new clients. Those people printing are printing with out dated materials, and print, essentially reprint, for existing portfolios.
James Browning (see link) may be able to print for you. I’m listing him more so you can track him down yourself. If you go to the link, you will be able to download a better set of instructions for making dye transfer than the Kodak E-80.
There are estate printers; some going so far as having emulsion coated.
Learning Dye Transfer Now
means learning a new material and supply set. It also means that you are one of a very small group having access to those new emulsions. Learning to use, now, means learning to make, or how to form buying groups.
update: 2020. Yahoo group has closed. A new moderator migrated the old list to groups.io … The 500+ members paired down to 80. It suffers from the same problem as the old group. Mostly hangers on; folks who never printed trying to fool those who did, only to gain stories of the past. A small group of people making prints has started a new group. It is open only to experienced, active printers.
Some of my pathway ..
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