Photography’s Prize

[price/prize] Photography arrived as entertainment, as substitute skill for the leisure class. By 1970 it had gained acceptance in many Art Schools. The 1980s was comfortable for specialized photography galleries; collectors had appetite.

Understanding the awards as assignment; what you should have known. These are Digests of the great works, those artists changing barriers, sometimes by crossing them; sometimes by crossing them off. Self-study assignment: use this to dig into yourself.

They began with an historian building meaning, making a market. The later recipients have re-evaluated the history of photographic uses.

The MacArthur foundation issued its first prize in the field to a historian, Beaumont Newhall in 1984. Photography had much sand to walk before attaining this acceptance. The most recent fellow is Wendy Red Star. Her stated area of focus: 2-D Visual Art, Photography, 3-D Visual Art That she doesn’t list herself as being a Photographer has caused the TOP, Part Time Salesman, concern about his beloved Photography. She may not even use a camera. What will happen to photography without cameras. What can we review. What will we sell.

Wendy Red Star, Peelatchiwaaxpáash / Medicine Crow (Raven), 2014, from the series 1880 Crow Peace Delegation. Original photograph by Charles Milton Bell, 1880, from the National Anthropological Archives, Smithsonian Institution

[https://aperture.org/interviews/people-of-the-earth-wendy-red-star/ ]

Some win more… the contest of merit loves to use another’s choice… path dependency isn’t just for mountain climbers. Get one award, another follows.

https://www.macfound.org/ [ based in Chicago, and in 2014 it was the 12th-largest private foundation in the United States] The Fellows Program: https://en.wikipedia.org/wiki/MacArthur_Fellows_Program

awards are signs

winning one prize, gaining grants or exhibition history becomes easier with prior recognizitions.

Offer something rewarding to the awarding agent, without being so novel to cause doubt. The more conservative the award, the more palatable must be the recipient.

to those who don’t have them who don’t make signs . Awards are more important to those who have not won an award … they guide the young and disappoint the old

Why Some Hate Art

art travels greater boundaries of space, time, legal, geographic as well. Art transcends; can remain dormant until some future needs it.

non-artists are pissed off, but they can’t change art. Although they can’t participate in art they can participate in church, business, in the commerce of church, in law. They cannot participate in Art, other than as consumers. and has blockades so if they don’t want to consumer set up a blockade 

within the US, public grant and award are used to diminish by those believing God as money 

In constant refrain: dig deeper than the advertisers understand. If the applause goes to the amount of the award, then the clapping is noise.

The prize provides access. Sometimes that is good.

“If I could make an income and have a couple of friends to enthuse with me over ideas and things, I should never enter the Art market, and never exhibit.” Man Ray 1922.

nutshell: Color Separations

a reminder of color separations: what they are; what they do.

A separation is a pulling apart — taking either the scene, or its first duplicate into distinct parts. The separation is based upon the color. These being the primary colors of tri-color theory.

Film wasn’t always on ESTAR, so small holes would fail; they weren’t done. The stable base was glass — not punchable. We had methods, just not punch-pin positioning systems.

Masking can be done pre or post separation. // more to come//

craft skill from the book of Reproductions. These were from ‘inkside’ of the past, along with the current vantagepoint. The titles and the dog-tags for return reading.

Choosing film is premised upon several factors, notably, color response and curve dynamics. Can the separation match the transparency? Can the film render the colors in the transparency as monochromatic approximates. Much, too much, is said about “long straight line” needs of separation and mask films. What you are separating from rarely has as long a linear portion as most BW films; not now, and certainly not in the past when seps were the king of the darkroom.

From the past; more for the Rosetta stone. Translating data sheets. Why that film/developer was made.

Dupont Fine Grain Pan: an easy 20x intermediate film. Soup in 6-D or 53-D.

Why Dupont 16D developer: times of 6,7,8,9 minutes gave those gammas (close enough to get you started on separations using Dupont films.

from 2005: Modern vs. Classic. Thin vs. Thick Emulsions’

Early form of specialized equipment designed to make separation negatives.

It looks quite “steam punk” in this light. Hardly the item of extreme, near sacred skill-tool of conversation on today’s net world. The virtual barstool has a way of inflating all needs beyond the original.

Making the process sound complex has a purpose: make the teller important.

Balanced pan-chromatism — the secret word on separation negative film.

not Filter Factor, rather Exposure Ratio. Notice the difference in using Heat Absorbing Glass — IR glass was as important as voltage stabilization in the best custom labs. The “4 shift” places all knew this. Not now. The forums think the glass is so negatives don’t pop — change during exposure.

IR and UV affect emulsions… even just a bit. The amount makes significant difference when making seps with a responsive emulsion.

Emulsion TypeRed NegativeGreen NegativeBlue Negative
PanchromaticUse Red filterUse Green filterUse Blue filter
Ortho-chromaticUnsuitable. insensitive to redUse minus-blue or green filteruse minus-green or blue filter
Ordinary (non-colorUnsuitable. insensitive to redUnsuitable. insensitive to greenNo filter needed. UV or minus-green or blue filter.
some types of emulsions will not reach the required gamma on the blue record, even with long development. An inherently higher contrast material can be under-developed to provide a lower gamma negative.

The above table was often used as a test of new employees … did they understand the theory enough to make separations using the “wrong” film or developer. Failure meant not trying. Understanding development scheme on curve shape was a key skill among the proficient lab tech. Use fresh developer. Use consistent agitation, including the rhythm. Blue sep toe usually reaches higher density than the red and green seps. Use this during your density limits, your aims, for the linear portion of your characteristic. In practice, that is part of why we set low limit above 0.40, with 0.30 being the lowest safe value for a separation set.

Adage: Mix for Four. Use Three. — meaning: put only 3 sheets through chemistry that should work for 4 sheets of film.