NB: Phantom Markets

The depth of products for photographers, particularly darkoom equipment, declined rapidly in the 90s, the time that most of the current beginners opened their eyes. Providing information about how things were done is more useful if provided with enough background to provide grounding. Rather than tieing their laces together, shut up.

Everyone asks for “it” — upon its production, most have a reason for no longer needing it…

So, the boxes of knowledge weren’t needed.

Amateurs make more requests than most makers can satisfy. As a market declines requests are as likely to be fantasy, role playing more likely. These assumed buyers flee, actually, they never existed. They were suspects, not prospects. No way to close that deal. Most online communities are intended as gossip centers. Sales talk. Buy and sell is the way of exchange. Few members have depth of experience. Most members, most people, even those declaring themself curious, have a narrow decade of knowledge… frequently, craft-skill is more limited than academic transferable awareness; even this is lost after a decade of disuse.

What we have is a gathering of curious, unskilled people passing on hearsay as teaching.

Peak commercial darkroom equipment sales was in 1979. The commercial, custom printers knew this; honest sales reps were quite clear about upcoming deals to be made, going so far as advising other avenues of purchase.

How Groups Grow: dilution or distribution of effort. Online communities cluster in skill pools much as occurred in regional settings . These skill pools are never culture-free clusters.


The AGO Film Processor and B’s Processor are both designed for home film development, but they differ in functionality and design. The AGO offers automated agitation and is compatible with Paterson tanks, while the B’s Processor rotates the entire tank and is known for its compact size and ease of use. Here’s a comprehensive comparison of the Ago Film Processor, B’s, Jobo Silverbase, and Pira Darkroom Helper based on their functionalities and notable features.


Feature Ago Film Processor B’s Film Processor Jobo Silverbase Pira Darkroom Helper
Type Automatic rotary processor Standard processing unit Compact rotary processor Darkroom assistant tool
Compatibility Works with Paterson tanks Various standard tanks Compatible with JOBO 1500 series tanks Designed for darkroom setup
Film Formats 35mm, 120, custom reels 35mm 35mm, 120, 4×5 Various formats
Temperature Control Adjusts development time automatically based on temperature Manual control No water jacket; suitable for room temp Not applicable
Programming Pre-loaded programs; customizable Manual timing Automatic rotation with set speeds Generic darkroom support
Power Source Battery operated AC powered AC powered Not applicable
Cost Approximately $500 USD Varies (generally lower) Approximately $515.90 USD Not applicable
Suitability for B&W Excellent for B&W and color Primarily B&W Designed for B&W film processing Focused on assisting darkroom tasks
User Experience Easy temperature and time adjustment Requires manual intervention User-friendly rotary agitation Supports various darkroom processes

Detailed Insights

Ago Film Processor

  • Technology: It automatically adjusts development times based on temperature fluctuations. It can optimize processing for various color and black-and-white films.
  • User Experience: Battery-operated, allowing flexible usage in small spaces.
  • Pros:
    • Automatically compensates for temperature variations.
    • Includes pre-loaded programs for diverse chemical kits.
    • Efficient for both black-and-white and color processing.

B’s Film Processor

  • Technology: A more traditional processing unit, requiring manual timing adjustments.
  • User Experience: Generally more affordable but less feature-rich.
  • Pros:
    • Cost-effective option for users who do not require advanced features.Around $145
    • Simpler operation for those familiar with manual processing.

Jobo Silverbase

  • Technology: Rotary processor that employs magnetic rotating for even chemical distribution without a water jacket.
  • User Experience: Known for its compact design and efficiency, particularly for black-and-white films.
  • Pros:
    • Compact and user-friendly.
    • Excellent reproducibility of results.
    • Allows use of less developer with one-shot solutions.

Pira.mx Darkroom Helper

  • Estimated cost $250

Basing a product on Jobo or Patterson seems safe. Jobo having vocal suppoters, Patterson being owned by a larger manufacturer with multiple product lines.

Fishtales, Campfires, Photography

Hosting campfire tales among the analog boosters.
The Greeks believed that fishing was the harbinger of prosperity; easy fishing a rich season . Small fish bring large fish.

A TALE: it is as though I’ve come across a campfire. There are young and old gathered around it; fishing poles, fishing tackle, some people in fishing vests wearing hats with lures stuck in them. A cover for some brochure, except the people aren’t suitable.

There is some fish, although not much; they’ve either finished, or they didn’t have a good day fishing. Telling stories keeps them from thinking of failure –how many bad days. — neither worms nor ties worked.

I stay aside and listen for a moment, a couple of tails and then I’ll be on my way. The old seem to be trying to outdo one another, each elevating the story, having more knowledge, having greater insight ,having more experience, having caught more fish. The old telling the young how much better fisherman the old were when they were young; the old were better fisherman when they were young, and better fisherman than these young; also, fishing was better back then. More types, tastier too.

Their stories make fishing better back then: the reason for this, for their reasoning, their motive isn’t stated– likely unknown, nonetheless, I’m going to tell my tale, my explanation of what and why they’re doing this: they’re doing this to gain position at the campfire, to have their story retold by the Young, to make their story the Young’s story even though their story, it’s just a fish tale

These ancient fishermen, they lived off store-bought fish, more likely, beef at the drive-through on their way back from Camp.

I am offended, I do do not mean to offend, but I am offended since I lived off fishing. These gossip groups are thieves stealing a past and a future.

They tell their tale to drown out the tales of the young; these elders tell their tales so often the young believe them. They’ve told their story so many times they start to believe it, So many tales have been intertwined there isn’t any thread of origin, of truth– the film is fogged beyond use.

  They told the tail so many times they forgotten the truth of it they no longer know the true parts the small part became so big that the fish turned into a whale

It’s not that they’re bad storytellers, instead they’re good liars… dissemblers of information. They met someone who knew someone, becomes: they were the dear friend of that one.

Their story doesn’t matter to my tale ,not a flicker.– It doesn’t stop me from fishing, and it doesn’t stop me from enjoying the fish I catch.

Of course, like all fish stories, this has nothing to do with fishing.


Matte paper. Reflection density. Callier Effect. Woodburytype

Farnsworth [wikipedia]

To know a story, read their story.

Gossip is always wrong. And prone to false memory; featuring yourself as the center of the circle, the fountainhead.

Magnolia

Although there are some glimmers of the truth in these {DW post) none of the facts or numbers are correct and no one working at Magnolia can recall the jigsaw portrait that is mentioned… [Jan,2021 private communication]

HIS claim: The most interesting project I was consulted on involved a giant jigsaw puzzle color self-portrait using 22 species of exotic hardwood. After the scan, this was laser-mapped, but could not be either laser cut or CNC done. I won’t gone into details, but their labor charge was 40K, and they lost money at that! But they did it for the challenge, and just shrugged their shoulders and said they’d make up the difference on the next Chuck Close project. Most of these pieces sell for over a million apiece to museums or civic installations. NYC has quite a few

Two additionals: Dmax is less valuable, as well as being prone to measurement error for papers than is L* —

AND : Happy Andre Breton Day …